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The Stravinsky legacy

Autor: Jonathan Cross
Editorial: Cambridge ; New York : Cambridge University Press, 1998.
Serie: Music in the twentieth century.
Edición/Formato:   Libro : Inglés (eng)Ver todas las ediciones y todos los formatos
Base de datos:WorldCat
Resumen:
It has become increasingly apparent in recent decades that Stravinsky's music has had a far-reaching influence on the development of music in our century. Stravinsky's modernist innovations - evident in such features as his music's discontinuity, its stasis, its ritualised anti-narrative, its novel rhythmic and formal structures, its articulation of new kinds of musical time, and its reinterpretation of music and  Leer más
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Detalles

Género/Forma: Criticism, interpretation, etc
Critique et interprétation
Persona designada: Igor Stravinsky; Igor Stravinsky; Igor Féodorovitch Stravinski; Igor Féodorovitch Stravinski; Igor Stravinsky; Igor Stravinsky
Tipo de material: Recurso en Internet
Tipo de documento: Libro/Texto, Recurso en Internet
Todos autores / colaboradores: Jonathan Cross
ISBN: 0521563658 9780521563659
Número OCLC: 38886166
Descripción: xii, 282 p. : ill. ; 26 cm.
Contenido: Pt. I. The Stravinsky Legacy. 1. Introduction: Stravinsky's modernism. 2. Block forms. 3. Structural rhythms. 4. Ritual theatres. 5. Minimal developments --
Pt. II. Stravinsky Reheard. 6. A fresh look at Stravinsky analysis. 7. Conclusions: Stravinsky, Adorno and the problem of non-development.
Título de la serie: Music in the twentieth century.
Responsabilidad: Jonathan Cross.
Más información:

Resumen:

It has become increasingly apparent in recent decades that Stravinsky's music has had a far-reaching influence on the development of music in our century. Stravinsky's modernist innovations - evident in such features as his music's discontinuity, its stasis, its ritualised anti-narrative, its novel rhythmic and formal structures, its articulation of new kinds of musical time, and its reinterpretation of music and materials from the past - have helped shape much of the music of our time. This book represents a first substantial attempt at evaluating Stravinsky's technical and aesthetic legacy.

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Datos enlazados


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