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The Stravinsky legacy

Auteur : Jonathan Cross
Éditeur : Cambridge ; New York : Cambridge University Press, 1998.
Collection : Music in the twentieth century.
Édition/format :   Livre : AnglaisVoir toutes les éditions et les formats
Base de données :WorldCat
Résumé :
It has become increasingly apparent in recent decades that Stravinsky's music has had a far-reaching influence on the development of music in our century. Stravinsky's modernist innovations - evident in such features as his music's discontinuity, its stasis, its ritualised anti-narrative, its novel rhythmic and formal structures, its articulation of new kinds of musical time, and its reinterpretation of music and  Lire la suite...
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Détails

Genre/forme : Criticism, interpretation, etc
Critique et interprétation
Personne nommée : Igor Stravinsky; Igor Stravinsky; Igor Féodorovitch Stravinski; Igor Féodorovitch Stravinski; Igor Stravinsky; Igor Stravinsky
Type d’ouvrage : Ressource Internet
Format : Livre, Ressource Internet
Tous les auteurs / collaborateurs : Jonathan Cross
ISBN : 0521563658 9780521563659
Numéro OCLC : 38886166
Description : xii, 282 p. : ill. ; 26 cm.
Contenu : Pt. I. The Stravinsky Legacy. 1. Introduction: Stravinsky's modernism. 2. Block forms. 3. Structural rhythms. 4. Ritual theatres. 5. Minimal developments --
Pt. II. Stravinsky Reheard. 6. A fresh look at Stravinsky analysis. 7. Conclusions: Stravinsky, Adorno and the problem of non-development.
Titre de collection : Music in the twentieth century.
Responsabilité : Jonathan Cross.
Plus d’informations :

Résumé :

It has become increasingly apparent in recent decades that Stravinsky's music has had a far-reaching influence on the development of music in our century. Stravinsky's modernist innovations - evident in such features as his music's discontinuity, its stasis, its ritualised anti-narrative, its novel rhythmic and formal structures, its articulation of new kinds of musical time, and its reinterpretation of music and materials from the past - have helped shape much of the music of our time. This book represents a first substantial attempt at evaluating Stravinsky's technical and aesthetic legacy.

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Données liées


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