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The Stravinsky legacy

Autor: Jonathan Cross
Editora: Cambridge ; New York : Cambridge University Press, 1998.
Séries: Music in the twentieth century.
Edição/Formato   Print book : InglêsVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
It has become increasingly apparent in recent decades that Stravinsky's music has had a far-reaching influence on the development of music in our century. Stravinsky's modernist innovations - evident in such features as his music's discontinuity, its stasis, its ritualised anti-narrative, its novel rhythmic and formal structures, its articulation of new kinds of musical time, and its reinterpretation of music and  Ler mais...
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Detalhes

Gênero/Forma: Criticism, interpretation, etc
Critique et interprétation
Pessoa Denominada: Igor Stravinsky; Igor Stravinsky; Igor Féodorovitch Stravinski; Igor Féodorovitch Stravinski; Igor Stravinsky; Igor Stravinsky
Tipo de Material: Recurso Internet
Tipo de Documento: Livro, Recurso Internet
Todos os Autores / Contribuintes: Jonathan Cross
ISBN: 0521563658 9780521563659
Número OCLC: 38886166
Descrição: xii, 282 p. : ill. ; 26 cm.
Conteúdos: Pt. I. The Stravinsky Legacy. 1. Introduction: Stravinsky's modernism. 2. Block forms. 3. Structural rhythms. 4. Ritual theatres. 5. Minimal developments --
Pt. II. Stravinsky Reheard. 6. A fresh look at Stravinsky analysis. 7. Conclusions: Stravinsky, Adorno and the problem of non-development.
Título da Série: Music in the twentieth century.
Responsabilidade: Jonathan Cross.
Mais informações:

Resumo:

It has become increasingly apparent in recent decades that Stravinsky's music has had a far-reaching influence on the development of music in our century. Stravinsky's modernist innovations - evident in such features as his music's discontinuity, its stasis, its ritualised anti-narrative, its novel rhythmic and formal structures, its articulation of new kinds of musical time, and its reinterpretation of music and materials from the past - have helped shape much of the music of our time. This book represents a first substantial attempt at evaluating Stravinsky's technical and aesthetic legacy.

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