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Stravinsky

著者: Paul Griffiths
出版商: New York : Schirmer Books : Maxwell Macmillan International, 1993, ©1992.
丛书: Master musicians series.
版本/格式:   打印图书 : 传记 : 英语 : 1st American ed查看所有的版本和格式
提要:
As the twentieth century draws to a close, Igor Stravinsky's stature as one of its master musicians is indisputable. His active career as a composer covered fully two-thirds of the century, from the songs and the symphony he wrote as a pupil of Rimsky-Korsakov in St. Petersburg to the music on sacred themes he produced as an old man in Los Angeles. Between these early and late works stretched a creative life that  再读一些...
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详细书目

类型/形式: Biography
Biographies
附加的形体格式: Online version:
Griffiths, Paul, 1947 November 24-
Stravinsky.
New York : Schirmer Books : Maxwell Macmillan International, 1993, ©1992
(OCoLC)671557980
提及的人: Igor Stravinsky; Igor Féodorovitch Stravinski; Igor Féodorovitch Stravinski; Igor Stravinsky; Igor Stravinsky
材料类型: 传记
文档类型 图书
所有的著者/提供者: Paul Griffiths
ISBN: 0028714830 9780028714837
OCLC号码: 27267017
注释: "First published in Great Britain by the Orion Publishing Group, Ltd. ... London"--Title page verso.
描述: xiii, 253 pages : illustrations ; 24 cm.
内容: Childhood --
Apprenticeship --
The firebird --
Petrushka --
The rite of spring --
Three Japanese lyrics and a Chinese opera --
Around Les noces --
Histoire du soldat and other rags --
Pergolesi and after --
A Russian opera and an octet --
Piano and pianola --
A Latin opera --
The muses' summer --
Symphony of psalms --
Stravinsky's violin --
A French melodrama --
Cards and concertos --
Symphony in C --
Symphony in three movements --
The mass of Orpheus --
An American opera --
New songs --
Ag-Canticum sacrum-on --
Threnodies, movements and monuments --
Stories from the Bible --
Memorials --
Silence --
Appendices: A. Calendar --
B. List of works --
C. List of recordings --
D. Personalia --
E. Bibliography.
丛书名: Master musicians series.
责任: Paul Griffiths.

摘要:

As the twentieth century draws to a close, Igor Stravinsky's stature as one of its master musicians is indisputable. His active career as a composer covered fully two-thirds of the century, from the songs and the symphony he wrote as a pupil of Rimsky-Korsakov in St. Petersburg to the music on sacred themes he produced as an old man in Los Angeles. Between these early and late works stretched a creative life that included triumphs of the Ballets Russes such as The Firebird, Petrushka, and The Rite of Spring; children's piano pieces; works based on Greek myth and on Russian peasant theatre; new approaches to concerto grosso form as well as to ragtime; liturgies as well as sketches for circus band; reworkings of ideas from the Baroque, and explorations of possibilities no one had dreamed of. Stravinsky's influence is incalculable and, like his output, extraordinarily wide in range. It has been felt by composers from Debussy and Schoenberg to those who had not yet been heard from when he died in 1971. In his long and honored life he came into contact with people from Tchaikovsky and Ravel to T.S. Eliot and W.H. Auden, from Benito Mussolini to John F. Kennedy, from Picasso, Nijinsky, and Cocteau to Louis B. Mayer. In this new study, Paul Griffiths surveys Stravinsky's vastly variegated life and output in one chronological sweep, showing how certain basic images and principles emerge again and again in the music, but also emphasizing his capacity to start afresh, to confront us not with one Stravinsky but with many. Since Stravinsky's death, publication of his correspondence and other material has made possible a deeper investigation of his creative methods. Profiting from this, and exploring the works both as individual creations and as elements in a wider context, Paul Griffiths's book is a new and stimulating guide to Stravinsky's life and music.

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