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Street scenes : Brecht, Benjamin and Berlin

ผู้แต่ง: Nicolas Whybrow
สำนักพิมพ์: Bristol ; Portland, Or. : Intellect, 2005.
ครั้งที่พิมพ์/รูปแบบ:   หนังสืออีเล็กทรอนิกส์ : เอกสาร : ภาษาอังกฤษดูครั้งที่พิมพ์และรูปแบบ
ฐานข้อมูล:WorldCat
สรุป:
Always the focal point in modern times for momentous political, social and cultural upheaval, Berlin has continued, since the fall of the Wall in 1989, to be a city in transition. As the new capital of a reunified Germany it has embarked on a journey of rapid reconfiguration, involving issues of memory, nationhood and ownership. Bertolt Brecht, meanwhile, stands as one of the principal thinkers about art and  อ่านมากขึ้น…
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ประเภท/แบบฟอร์ม Electronic books
History
รูปแบบทางกายภาพเพิ่มเติม Print version:
Whybrow, Nicolas.
Street scenes.
Bristol ; Portland, Or. : Intellect, 2005
(OCoLC)56460422
ชื่อบุคคล: Bertolt Brecht; Bertolt Brecht; Bertolt Brecht; Walter Benjamin; Bertolt Brecht; Walter Benjamin; Bertolt Brecht
ขนิดวัสดุ: เอกสาร, ทรัพยากรอินแทอร์เน็ต
ประเภทของเอกสาร: แหล่งข้อมูลอินเทอร์เน็ต, ไฟล์คอมพิวเตอร์
ผู้แต่งทั้งหมด : ผู้แต่งร่วม Nicolas Whybrow
ISBN: 1841509086 9781841509082 128047694X 9781280476945
OCLC Number: 57301124
โน้ตที่ผลิตซ้ำ: Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL
คำอธิบาย: 1 online resource (1 volume) : illustrations
รายละเอียด: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
สารบัญ: Terra terror : the unlikely event --
Chaussee Strasse : the last place --
Chaussee Strasse : Brecht's spectacles --
Oranienburger Strasse : the space of recurrence --
Grosse Hamburger Strasse : the space of disappearance --
Niederkirchner Strasse : wall wounds --
Potsdamer Platz : white noise --
Strasse des 17 Juni : the space of (dis)unity --
Karl Liebknecht Strasse : the space of light.
ความรับผิดชอบ: Nicolas Whybrow.

บทคัดย่อ:

Always the focal point in modern times for momentous political, social and cultural upheaval, Berlin has continued, since the fall of the Wall in 1989, to be a city in transition. As the new capital of a reunified Germany it has embarked on a journey of rapid reconfiguration, involving issues of memory, nationhood and ownership. Bertolt Brecht, meanwhile, stands as one of the principal thinkers about art and politics in the 20th century. The 'Street Scene' model, which was the foundation for his theory of an epic theatre, relied precisely on establishing a connection between art's functioning.

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