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Structure and dissolution in English writing, 1910-1920

Auteur: Stuart Sillars
Uitgever: New York : St. Martin's Press, 1999.
Editie/Formaat:   Print book : EngelsAlle edities en materiaalsoorten bekijken.
Database:WorldCat
Samenvatting:
"This major reappraisal of an important yet confusingly diverse period of English writing suggests that many features earlier seen as shortcomings are in fact strengths, since the novels and poems simultaneously extend and ironically refuse the conventions of their predecessors. In its most extreme forms, this leads to a rejection of language itself, which may be bitterly satiric (in Siegfried Sassoon), explorative  Meer lezen...
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Details

Genre/Vorm: Criticism, interpretation, etc
Genoemd persoon: E M Forster; D H Lawrence; Siegfried Sassoon; Edward Thomas; Wilfred Owen; Wilfred Owen; Siegfried Sassoon; Edward Thomas
Soort document: Boek
Alle auteurs / medewerkers: Stuart Sillars
ISBN: 0312224494 9780312224493
OCLC-nummer: 40891118
Beschrijving: viii, 216 pages ; 23 cm
Inhoud: 1. Language, Tradition and Silence --
2. Howards End and the Dislocation of Narrative --
3. Wilfred Owen and the Subjugation of the Poetic --
4. The Rainbow: Language Against Itself --
5. 'The singing will never be done': Siegfried Sassoon and the Exile of Language --
6. Language Beneath Words: Edward Thomas --
7. An Epilogue on Modernism.
Verantwoordelijkheid: Stuart Sillars.

Fragment:

"This major reappraisal of an important yet confusingly diverse period of English writing suggests that many features earlier seen as shortcomings are in fact strengths, since the novels and poems simultaneously extend and ironically refuse the conventions of their predecessors. In its most extreme forms, this leads to a rejection of language itself, which may be bitterly satiric (in Siegfried Sassoon), explorative of the depths of human relations (in Lawrence's The Rainbow), or resigned and fulfilled (in Edward Thomas). Approaching the subject within its contemporary social and political frames, the book also considers the complex voice and movement of Forster's Howards End - enriched by its references to recent literary, social and topographical writing - and the structural effects of poetic reference and homoeroticism within Wilfred Owen's poems."--Jacket.

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