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Studies in Russian music : critical essays on the most important of Rimsky-Korsakov's operas, Borodin's Ver este material de antemano
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Studies in Russian music : critical essays on the most important of Rimsky-Korsakov's operas, Borodin's "Prince Igor," Dargomizhsky's "Stone guest, " etc. : with chapters on Glinka, Mussorgsky, Balakirev, and Tchaikovsky

Autor: Gerald Abraham
Editorial: London : W. Reeves, 1935.
Edición/Formato:   Print book : Inglés (eng)Ver todas las ediciones y todos los formatos
Base de datos:WorldCat
Resumen:
Although this is a book of separate essays, it is, I hope, given a certain unity by the fact that each chapter deals with some product or aspect of the "classical" period of Russian music: the music of Glinka and, more particularly, that written in the half-century following his death. I have almost ignored Mussorgsky and Tchaikovsky, preferring to concentrate on the less discussed members of the "mighty handful,"  Leer más
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Detalles

Género/Forma: Criticism, interpretation, etc
Persona designada: Nikolay Rimsky-Korsakov; Nikolay Rimsky-Korsakov
Tipo de documento: Libro/Texto
Todos autores / colaboradores: Gerald Abraham
Número OCLC: 599721
Notas: Includes index.
Descripción: vi, 355 pages : music, portraits ; 22 cm
Contenido: The essence of Russian music --
Glinka and his achievement --
The folk-song element --
The stone guest --
Tolstoy and Mussorgsky --
Borodin as a symphonist --
Prince Igor --
Rimsky-Korsakov's first opera --
Rimsky-Korsakov's Gogol operas --
Snegurochka = Snow maiden --
Sadko --
The tsar's bride --
Kitezh --
The golden cockerel --
Balakirev, a flawed genius --
Tchaïkovsky revalued.
Responsabilidad: Gerald Abraham.

Resumen:

Although this is a book of separate essays, it is, I hope, given a certain unity by the fact that each chapter deals with some product or aspect of the "classical" period of Russian music: the music of Glinka and, more particularly, that written in the half-century following his death. I have almost ignored Mussorgsky and Tchaikovsky, preferring to concentrate on the less discussed members of the "mighty handful," above all on Rimsky-Korsakov who has hitherto been unaccountably neglected by non-Russian critics. But in these studies of some of Korsakov's operas I have concerned myself only with certain aspects of them -- perhaps too exclusively -- in the attempt to investigate the working of the composer's musical mind. - Preface.

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