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Studies in Russian music : critical essays on the most important of Rimsky-Korsakov's operas, Borodin's "Prince Igor," Dargomizhsky's "Stone guest, " etc. : with chapters on Glinka, Mussorgsky, Balakirev, and Tchaikovsky

著者: Gerald Abraham
出版商: London : W. Reeves, 1935.
版本/格式:   Print book : 英语查看所有的版本和格式
数据库:WorldCat
提要:
Although this is a book of separate essays, it is, I hope, given a certain unity by the fact that each chapter deals with some product or aspect of the "classical" period of Russian music: the music of Glinka and, more particularly, that written in the half-century following his death. I have almost ignored Mussorgsky and Tchaikovsky, preferring to concentrate on the less discussed members of the "mighty handful,"  再读一些...
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类型/形式: Criticism, interpretation, etc
提及的人: Nikolay Rimsky-Korsakov; Nikolay Rimsky-Korsakov
文件类型:
所有的著者/提供者: Gerald Abraham
OCLC号码: 599721
注意: Includes index.
描述: vi, 355 pages : music, portraits ; 22 cm
内容: The essence of Russian music --
Glinka and his achievement --
The folk-song element --
The stone guest --
Tolstoy and Mussorgsky --
Borodin as a symphonist --
Prince Igor --
Rimsky-Korsakov's first opera --
Rimsky-Korsakov's Gogol operas --
Snegurochka = Snow maiden --
Sadko --
The tsar's bride --
Kitezh --
The golden cockerel --
Balakirev, a flawed genius --
Tchaïkovsky revalued.
责任: Gerald Abraham.

摘要:

Although this is a book of separate essays, it is, I hope, given a certain unity by the fact that each chapter deals with some product or aspect of the "classical" period of Russian music: the music of Glinka and, more particularly, that written in the half-century following his death. I have almost ignored Mussorgsky and Tchaikovsky, preferring to concentrate on the less discussed members of the "mighty handful," above all on Rimsky-Korsakov who has hitherto been unaccountably neglected by non-Russian critics. But in these studies of some of Korsakov's operas I have concerned myself only with certain aspects of them -- perhaps too exclusively -- in the attempt to investigate the working of the composer's musical mind. - Preface.

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