skip to content
Studies in the history of Italian music and music theory Preview this item
ClosePreview this item
Checking...

Studies in the history of Italian music and music theory

Author: Claude V Palisca
Publisher: Oxford : Clarendon Press ; New York : Oxford University Press, 1994.
Edition/Format:   Book : EnglishView all editions and formats
Database:WorldCat
Summary:
Claude V. Palisca has long been acknowledged as a leading authority of Italian music of the late sixteenth and early seventeenth centuries. These nineteen essays, originally published between 1956 and 1980, draw together a body of significant research into Italian music and music theory, and make readily available papers widely scattered and most now out-of-print.
Rating:

(not yet rated) 0 with reviews - Be the first.

Subjects
More like this

 

Find a copy in the library

&AllPage.SpinnerRetrieving; Finding libraries that hold this item...

Details

Genre/Form: Criticism, interpretation, etc
Document Type: Book
All Authors / Contributors: Claude V Palisca
ISBN: 0198161670 9780198161677
OCLC Number: 29478459
Notes: Essays; most originally published 1956-1986.
Description: xii, 522 p. : ill : 24 cm.
Contents: Pt. I. Studies in the History of Italian Music Theory. 1. The Revision of Counterpoint and the Embellished Style. 2. Vincenzo Galilei's Counterpoint Treatise: A Code for the Seconda pratica. 3. The Artusi-Monteverdi Controversy. 4. Marco Scacchi's Defence of Modern Music (1649). 5. The Musica of Erasmus of Horitz. 6. Boethius in the Renaissance. 7. Aristoxenus Redeemed in the Renaissance. 8. Scientific Empiricism in Musical Thought --
Pt. II. Studies in the History of Italian Music. 9. A Clarification of Musica reservata in Jean Taisnier's Astrologiae, 1559. 10. Ut oratoria musica: The Rhetorical Basis of Musical Mannerism. 11. Towards an intrinsically Musical Definition of Mannerism in the Sixteenth Century. 12. Vincenzo Galilei and some Links between 'Pseudo-Monody' and Monody. 13. Vincenzo Galilei's Arrangements for Voice and Lute. 14. Musical Asides in the Diplomatic Correspondence of Emilio de' Cavalieri. 15. The Alterati of Florence, Pioneers in the Theory of Dramatic Music. 16. The First Performance of Euridice. 17. Peri and the Theory of Recitative. 18. G. B. Doni, Musicological Activist, and his Lyra Barberina. 19. The Recitative of Lully's Alceste: French Declamation or Italian Melody?
Responsibility: Claude V. Palisca.
More information:

Abstract:

These 19 essays by a scholar of Italian Renaissance music provide research into Italian music and music theory of the late 16th and early 17th centuries. They illuminate the interaction between music  Read more...

Reviews

Editorial reviews

Publisher Synopsis

'The variety of subjects in this volume testifies both to Palisca's enormous range of knowlege and also to his narrative sjills. Musicologists and early music musicians will benefit greatly from this Read more...

 
User-contributed reviews
Retrieving GoodReads reviews...
Retrieving DOGObooks reviews...

Tags

Be the first.
Confirm this request

You may have already requested this item. Please select Ok if you would like to proceed with this request anyway.

Linked Data


<http://www.worldcat.org/oclc/29478459>
library:oclcnum"29478459"
library:placeOfPublication
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/29478459>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:creator
schema:datePublished"1994"
schema:description"Pt. I. Studies in the History of Italian Music Theory. 1. The Revision of Counterpoint and the Embellished Style. 2. Vincenzo Galilei's Counterpoint Treatise: A Code for the Seconda pratica. 3. The Artusi-Monteverdi Controversy. 4. Marco Scacchi's Defence of Modern Music (1649). 5. The Musica of Erasmus of Horitz. 6. Boethius in the Renaissance. 7. Aristoxenus Redeemed in the Renaissance. 8. Scientific Empiricism in Musical Thought -- Pt. II. Studies in the History of Italian Music. 9. A Clarification of Musica reservata in Jean Taisnier's Astrologiae, 1559. 10. Ut oratoria musica: The Rhetorical Basis of Musical Mannerism. 11. Towards an intrinsically Musical Definition of Mannerism in the Sixteenth Century. 12. Vincenzo Galilei and some Links between 'Pseudo-Monody' and Monody. 13. Vincenzo Galilei's Arrangements for Voice and Lute. 14. Musical Asides in the Diplomatic Correspondence of Emilio de' Cavalieri. 15. The Alterati of Florence, Pioneers in the Theory of Dramatic Music."@en
schema:description"Claude V. Palisca has long been acknowledged as a leading authority of Italian music of the late sixteenth and early seventeenth centuries. These nineteen essays, originally published between 1956 and 1980, draw together a body of significant research into Italian music and music theory, and make readily available papers widely scattered and most now out-of-print."@en
schema:description"16. The First Performance of Euridice. 17. Peri and the Theory of Recitative. 18. G. B. Doni, Musicological Activist, and his Lyra Barberina. 19. The Recitative of Lully's Alceste: French Declamation or Italian Melody?"@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/31571794>
schema:genre"Criticism, interpretation, etc."@en
schema:inLanguage"en"
schema:name"Studies in the history of Italian music and music theory"@en
schema:numberOfPages"522"
schema:publisher
schema:publisher
schema:url
schema:workExample

Content-negotiable representations

Close Window

Please sign in to WorldCat 

Don't have an account? You can easily create a free account.