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Studies in the music of Tomás Luis de Victoria

Author: Eugene Cramer
Publisher: Aldershot, Hampshire, England ; Burlington, VT : Ashgate, ©2001.
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:
"Representing nearly thirty years of research by one of the leading scholars in the field, this series of in-depth studies examines selected aspects of the music of the great Spanish composer in the late Renaissance, Tomás Luis de Victoria. Presenting new insights into both the musical style and language and the compositional procedure of this contemporary of Palestrina, Lasso and Byrd, Eugene Cramer illuminates  Read more...
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Genre/Form: Criticism, interpretation, etc
Additional Physical Format: Online version:
Cramer, Eugene.
Studies in the music of Tomás Luis de Victoria.
Aldershot, Hampshire, England ; Burlington, VT : Ashgate, ©2001
(OCoLC)652473716
Named Person: Tomás Luis de Victoria; Tomás Luis de Victoria; Tomás Luis de Victoria; Tomás Luis de Victoria; Tomás Luis de Victoria
Document Type: Book
All Authors / Contributors: Eugene Cramer
ISBN: 0754602419 9780754602415
OCLC Number: 45582592
Description: xxiv, 320 pages : illustrations ; 25 cm
Contents: The fallacy/illusion/delusion of internal evidence or a case of theft? : the Vidi speciosam à8 in Rome, Biblioteca Casanatense, Ms. 2295 --
A re-evaluation of Victoria's application of the concept of parody/imitation in the Missae ... Liber secundus (Rome, 1592) --
The uses and reuses of music : polyphonic interrelationships or intertextuality in the music of T.L. de Victoria --
Victoria and the fabordón/falsobordone --
Compositional procedure in the passions of Victoria --
Adding to the Victoria canon? --
Victoria's psalm settings : a panorama of the musical styles in use in the late sixteenth century --
An overview of Victoria's life and work.
Responsibility: Eugene Casjen Cramer.

Abstract:

This is an examination of the music of the composer Tomas Luis de Victoria. Aspects of Victoria's musical language and compositional processes are explored and as well as Victoria's music, the book  Read more...

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    schema:reviewBody ""Representing nearly thirty years of research by one of the leading scholars in the field, this series of in-depth studies examines selected aspects of the music of the great Spanish composer in the late Renaissance, Tomás Luis de Victoria. Presenting new insights into both the musical style and language and the compositional procedure of this contemporary of Palestrina, Lasso and Byrd, Eugene Cramer illuminates the extent to which Victoria's compositions are musically related. The book reveals that the falsobordone or fabordón played a much larger role in Victoria's music than has previously been thought. Cramer also demonstrates that Victoria's parody or imitation technique, especially in respect to his masses of 1592, extended the parameters that are generally thought to be characteristic of works of this type. Of special interest is the discussion of thirty-eight works, including thirty-four psalm settings that are attributed to Victoria in extant manuscript sources." "Illustrated with over 130 musical examples, these studies will not only interest the serious student of sacred music, but also the performer, both the singer and the conductor alike."--Jacket." ;
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