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The studio recordings of the Miles Davis Quintet, 1965-68

Author: Keith Waters
Publisher: New York : Oxford University Press, ©2011.
Series: Oxford studies in recorded jazz.
Edition/Format:   Book : Biography : EnglishView all editions and formats
Database:WorldCat
Summary:
The "Second Quintet"--The Miles Davis Quintet of the mid-1960s--was one of the most innovative and influential groups in the history of the genre. Each of the musicians who performed with Davis--saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams--went on to a successful career as a top player. The studio recordings released by this group made profound contributions to  Read more...
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Genre/Form: Criticism, interpretation, etc
Discography
Named Person: Miles Davis; Miles Davis; Miles Davis; Miles Davis
Material Type: Biography
Document Type: Book
All Authors / Contributors: Keith Waters
ISBN: 9780195393835 019539383X 9780195393842 0195393848
OCLC Number: 624048570
Description: xvi, 302 pages : illustrations, music ; 22 cm.
Contents: The Quintet --
Analytical strategies --
E.S.P. --
Miles smiles --
Sorcerer --
Nefertiti --
Miles in the sky and Filles de Kilimanjaro --
The Quintet and its legacies.
Series Title: Oxford studies in recorded jazz.
Responsibility: Keith Waters.
More information:

Abstract:

The "Second Quintet"--The Miles Davis Quintet of the mid-1960s--was one of the most innovative and influential groups in the history of the genre. Each of the musicians who performed with Davis--saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams--went on to a successful career as a top player. The studio recordings released by this group made profound contributions to improvisational strategies, jazz composition, and mediation between mainstream and avant-garde jazz, yet most critical attention has focused instead on live performances or the socio-cultural context of the work. Keith Waters' The Studio Recordings of the Miles Davis Quintet, 1965-68 concentrates instead on the music itself, as written, performed, and recorded. Treating six different studio recordings in depth--ESP, Miles Smiles, Sorcerer, Nefertiti, Miles in the Sky, and Filles de Kilimanjaro--Waters has tracked down a host of references to and explications of Davis' work. His analysis takes into account contemporary reviews of the recordings, interviews with the five musicians, and relevant larger-scale cultural studies of the era, as well as two previously unexplored sources: the studio outtakes and Wayne Shorter's Library of Congress composition deposits. Only recently made available, the outtakes throw the master takes into relief, revealing how the musicians and producer organized and edited the material to craft a unified artistic statement for each of these albums. The author's research into the Shorter archives proves to be of even broader significance and interest, as Waters is able now to demonstrate the composer's original conception of a given piece. Waters also points out errors in the notated versions of the canonical songs as they often appear in the main sources available to musicians and scholars. An indispensible resource, The Miles Davis Quintet Studio Recordings: 1965-1968 is suited for the jazz scholar as well as for jazz musicians and aficionados of all levels [Publisher description].

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an extremely thorough, in-depth, and insightful analytical study. It is a major addition to the field of jazz studies Benjamin Bierman, Journal of Jazz Studies

 
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