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The studio recordings of the Miles Davis Quintet, 1965-68

Author: Keith Waters
Publisher: New York : Oxford University Press, ©2011.
Series: Oxford studies in recorded jazz.
Edition/Format:   eBook : Document : Biography : EnglishView all editions and formats
Database:WorldCat
Summary:
The "Second Quintet"--The Miles Davis Quintet of the mid-1960s -- was one of the most innovative and influential groups in the history of the genre. Each of the musicians who performed with Davis--saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams--went on to a successful career as a top player. The studio recordings released by this group made profound contributions to  Read more...
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Genre/Form: Electronic books
Criticism, interpretation, etc
Discographies
Discography
Additional Physical Format: Print version:
Waters, Keith, 1958-
Studio recordings of the Miles Davis Quintet, 1965-68.
New York : Oxford University Press, 2011
(DLC) 2010020252
(OCoLC)624048570
Named Person: Miles Davis; Miles Davis
Material Type: Biography, Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Keith Waters
ISBN: 9780199830169 0199830169
OCLC Number: 711699586
Description: 1 online resource (xvi, 302 pages) : illustrations.
Contents: The Quintet --
Analytical strategies --
E.S.P. --
Miles smiles --
Sorcerer --
Nefertiti --
Miles in the sky and Filles de Kilimanjaro --
The Quintet and Its legacies.
Series Title: Oxford studies in recorded jazz.
Responsibility: Keith Waters.
More information:

Abstract:

The "Second Quintet"--The Miles Davis Quintet of the mid-1960s -- was one of the most innovative and influential groups in the history of the genre. Each of the musicians who performed with Davis--saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams--went on to a successful career as a top player. The studio recordings released by this group made profound contributions to improvisational strategies, jazz composition, and mediation between mainstream and avant-garde jazz, yet most critical attention has focused instead on live performances.

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an extremely thorough, in-depth, and insightful analytical study. It is a major addition to the field of jazz studies Benjamin Bierman, Journal of Jazz Studies

 
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