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Style and idea : selected writings of Arnold Schoenberg

Author: Arnold Schoenberg; Leonard Stein
Publisher: New York : St. Martins Press, 1975.
Edition/Format:   Print book : EnglishView all editions and formats
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Genre/Form: Criticism, interpretation, etc
Document Type: Book
All Authors / Contributors: Arnold Schoenberg; Leonard Stein
OCLC Number: 1543041
Notes: Includes index.
Description: 559 pages : music ; 26 cm
Contents: On my fiftieth birthday (1924) --
Circular to my friends on my sixtieth birthday (1934) --
Honorary citizenship of Vienna (1949) --
How one becomes lonely (1937) --
Hear and brain in music (1946) --
A self-analysis (1948) --
My evolution (1949) --
The young and i (1923) --
My blind alley (1923) --
My public (1930) --
New music : my music (1930) --
Constructed music (1931) --
On revient toujours (1948) --
My technique and style (1950) --
New music, outmoded music, style and idea (1946) --
Criteria for the evaluation of music (1946) --
New music (1923) --
Turn of time (1948) --
The relationship to the text (1912) --
This is my fault (1949) --
The radio : reply to a questionnaire (1930) --
'Space-sound', vibrato, radio, etc. (1931) --
Modern music on the radio (1933) --
Art and the moving picture (1940) --
Folkloristic symphonies (1947) --
Folk-music and art-music (1926) --
National music (1931) - Italian national music (1927) --
Why no great American music ? (1934) --
A legal question (1909) --
An artistic impression (1909) --
About music criticism (1909) --
Sleepwalker (1912) --
The music critic (1912) --
Musical historians (1915) --
Those who complain about the decline (1923) --
Twelve-tone composition (1923) --
Hauer's theories (1923) --
Composition with twelve tones (1941) --
Composition with twelve tones (1948) --
Is it fair ? (1947) --
Theory and form (1924) --
Tonality and form (1925) - Opinion or insight ? (1926) --
For a treaties on composition (1931) --
Problems of harmony (1934) --
Connection of musical ideas (1948) --
Old and new counterpoint (1928) --
Linear counterpoint (1928) --
Linear counterpoint ; linear polyphony (1931) --
Fugue (1936) --
About ornaments, primitive rhythms, etc. and bird song (1922) --
Ornaments and construction (1923) --
Glosses on the theories of others (1929). For a treatise on performance (1923 or 1924) --
Today's manner of performing classical music (1948) --
The future of orchestral instruments (1924) --
Mechanical musical instruments (1926) --
Instrumentation (1931) --
The future of the opera (1927) --
Opera : aphorisms (1930) --
Performance indications (dynamics) (1923) --
Musical dynamics (1929) - About metronome markings (1926) --
Transposition (1923) --
Vibrato (1940) --
Phrasing (1931) --
The modern piano reduction (1923) --
On notation (1923) --
Pictorial notation (1923) --
Revolution - evolution, notation, (accidentals) (1931) --
A new twelve-tone notation (1924) --
Problems in teaching art (1911) --
Music ( from 'guine-lines for a ministry of art) (1919) --
On the question of modern composition teaching (1929) --
Teaching and modern trends in music (1938) --
Eartraining through composing (1939) --
The blessing of the dressing (1948) --
Against the specialist (1940) --
The task of the teacher (1950) --
Bach (1950) --
Brahms the progressive (1911) --
Franz Liszt's work and being (1912) --
Gustave Mahler : in memoriam (1948) --
Gustave Mahler (1912, 1948) --
'Robert Schumann as critic' (1931) --
Alban Berg (1949, 1930) --
George Gershwin (1938) --
Krenek's sprung uber den schatten (1923) --
Igor Stravinsky : der restaurateur (1926) --
Stravinsky's Oedipus (1928) - Anton Webern : foreword to his six bagatelles (1924) --
Anton Webern : Klangfarbenmelodie (1951) --
Zemlinsky (1921) --
Parsifal and copyright (1912) --
Copyright (1949) --
Success - the end of bohemianism (1928) --
Does the world lack a peace-hymn ? (1928) --
Two speeches on the Jewish situation (1934 and 1935) --
Human rights (1947).
Responsibility: edited by Leonard Stein ; with translations by Leo Black.

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