skip to content
Subjectivity, Interpretation, and Irony in Gottfried Weber's Analysis of Mozart's
ClosePreview this item
Checking...

Subjectivity, Interpretation, and Irony in Gottfried Weber's Analysis of Mozart's "Dissonance" Quartet

Author: Jairo Moreno
Publisher: University of California Press
Edition/Format: Article Article : English
Publication:Music Theory Spectrum, 25, no. 1 (2003): 99-120
Database:ArticleFirst
Other Databases: British Library Serials
Rating:

(not yet rated) 0 with reviews - Be the first.

More like this

 

&AllPage.SpinnerRetrieving;

Find a copy in the library

&AllPage.SpinnerRetrieving; Finding libraries that hold this item...

Details

Document Type: Article
All Authors / Contributors: Jairo Moreno
ISSN:0195-6167
Language Note: English
Unique Identifier: 437618881
Awards:

Reviews

User-contributed reviews
Retrieving GoodReads reviews...
Retrieving DOGObooks reviews...

Tags

All user tags (1)

View most popular tags as: tag list | tag cloud

Confirm this request

You may have already requested this item. Please select Ok if you would like to proceed with this request anyway.

Linked Data


<http://www.worldcat.org/oclc/437618881>
library:oclcnum"437618881"
owl:sameAs<info:oclcnum/437618881>
rdf:typeschema:Article
schema:creator
schema:datePublished"2003-03-01"
schema:description"In nearly thirty densely argued pages, Gottfried Weber (1832) analyzed four measures from Mozart's"Dissonance" Quartet; the "ear" subjects each note and chord to multiple possible interpretations. This paper examines Weber's interpretive practice in light of his theory of harmony, considering his cognitive teasing of potential meanings from the perspective of philosophical notions of consciousness (Kant and Fichte) and the poetics of self-reflective subjectivity proposed by the Early Romantics (F.Schlegel and Novalis) in their critiques of linguistic representation, temporality,and subject-object relations.The Early Romantic conception of irony and allegory brings the subject fully within the fold of linguistic representation, as does Weber,marking a key moment in the history of the representation of listening by music theory."
schema:exampleOfWork<http://worldcat.org/entity/work/id/72106160>
schema:inLanguage"en"
schema:isPartOf
schema:name"Subjectivity, Interpretation, and Irony in Gottfried Weber's Analysis of Mozart's "Dissonance" Quartet"
schema:pageStart"99"
schema:publisher
schema:url

Content-negotiable representations

Close Window

Please sign in to WorldCat 

Don't have an account? You can easily create a free account.