aller au contenu
A sum of destructions : Picasso's cultures & the creation of Cubism Aperçu de cet ouvrage
FermerAperçu de cet ouvrage
Vérifiant…

A sum of destructions : Picasso's cultures & the creation of Cubism

Auteur : Natasha Elena Staller
Éditeur : New Haven : Yale University Press, ©2001.
Édition/format :   Livre : Biographie : AnglaisVoir toutes les éditions et les formats
Base de données :WorldCat
Résumé :
"In this book, Natasha Staller closely examines for the first time the complex and intricate dialogue between Picasso and the multiple cultures of his early life. Staller argues that to a degree never before imagined Picasso's revolutionary Cubism was saturated with his past - inspired in part by competing and colliding images, myths, and ideas from a series of cultural legacies. She tracks Picasso on his odyssey
Évaluation :

(pas encore évalué) 0 avec des critiques - Soyez le premier.

Sujets
Plus comme ceci

 

Trouver un exemplaire dans la bibliothèque

&AllPage.SpinnerRetrieving; Recherche de bibliothèques qui possèdent cet ouvrage...

Détails

Personne nommée : Pablo Picasso; Pablo Picasso; Pablo Picasso; Pablo Picasso; Pablo Picasso
Type d’ouvrage : Biographie
Format : Livre
Tous les auteurs / collaborateurs : Natasha Elena Staller
ISBN : 0300072422 9780300072426
Numéro OCLC : 45002104
Description : xv, 438 p. : ill. (some col.) ; 29 cm.
Responsabilité : Natasha Staller.

Résumé :

"In this book, Natasha Staller closely examines for the first time the complex and intricate dialogue between Picasso and the multiple cultures of his early life. Staller argues that to a degree never before imagined Picasso's revolutionary Cubism was saturated with his past - inspired in part by competing and colliding images, myths, and ideas from a series of cultural legacies. She tracks Picasso on his odyssey through cultures: from Malaga, where he spent his first ten years, to La Coruna, Barcelona, and finally to Paris, where he moved as a young man. She contends that Picasso's most fundamental ideas were all formed in Malaga, and that his earliest surviving works reveal particular ways of imagining the world that would continue all his life and would decisively inform the invention of Cubism. Yet Cubism could not have been invented had he not moved to Paris. Each culture became a prism through which he viewed the next.

In each case he actively transformed what he found."--BOOK JACKET.

Critiques

Critiques d’utilisateurs
Récupération des critiques de GoodReads...
Récuperation des critiques DOGObooks…

Tags

Soyez le premier.
Confirmez cette demande

Vous avez peut-être déjà demandé cet ouvrage. Veuillez sélectionner OK si vous voulez poursuivre avec cette demande quand même.

Données liées


<http://www.worldcat.org/oclc/45002104>
library:oclcnum"45002104"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/45002104>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:copyrightYear"2001"
schema:creator
schema:datePublished"2001"
schema:exampleOfWork<http://worldcat.org/entity/work/id/367033008>
schema:genre"Criticism, interpretation, etc."@en
schema:inLanguage"en"
schema:name"A sum of destructions : Picasso's cultures & the creation of Cubism"@en
schema:numberOfPages"438"
schema:publisher
schema:reviews
rdf:typeschema:Review
schema:itemReviewed<http://www.worldcat.org/oclc/45002104>
schema:reviewBody""In this book, Natasha Staller closely examines for the first time the complex and intricate dialogue between Picasso and the multiple cultures of his early life. Staller argues that to a degree never before imagined Picasso's revolutionary Cubism was saturated with his past - inspired in part by competing and colliding images, myths, and ideas from a series of cultural legacies. She tracks Picasso on his odyssey through cultures: from Malaga, where he spent his first ten years, to La Coruna, Barcelona, and finally to Paris, where he moved as a young man. She contends that Picasso's most fundamental ideas were all formed in Malaga, and that his earliest surviving works reveal particular ways of imagining the world that would continue all his life and would decisively inform the invention of Cubism. Yet Cubism could not have been invented had he not moved to Paris. Each culture became a prism through which he viewed the next."
schema:url
schema:workExample

Content-negotiable representations

Fermer la fenêtre

Veuillez vous identifier dans WorldCat 

Vous n’avez pas de compte? Vous pouvez facilement créer un compte gratuit.