컨텐츠로 이동
A sum of destructions : Picasso's cultures & the creation of Cubism 해당 항목을 미리보기
닫기해당 항목을 미리보기
확인중입니다…

A sum of destructions : Picasso's cultures & the creation of Cubism

저자: Natasha Elena Staller
출판사: New Haven : Yale University Press, ©2001.
판/형식:   도서 : 전기 : 영어모든 판과 형식 보기
데이터베이스:WorldCat
요약:
"In this book, Natasha Staller closely examines for the first time the complex and intricate dialogue between Picasso and the multiple cultures of his early life. Staller argues that to a degree never before imagined Picasso's revolutionary Cubism was saturated with his past - inspired in part by competing and colliding images, myths, and ideas from a series of cultural legacies. She tracks Picasso on his odyssey
평가:

(아무런 평가가 없습니다.) 0 리뷰와 함께 - 첫번째로 올려주세요.

주제
다음과 같습니다:

 

도서관에서 사본 찾기

&AllPage.SpinnerRetrieving; 해당항목을 보유하고 있는 도서관을 찾는 중

상세정보

장르/형태: Criticism, interpretation, etc
명시된 사람: Pablo Picasso; Pablo Picasso; Pablo Picasso; Pablo Picasso; Pablo Picasso; Pablo Picasso; Pablo Picasso
자료 유형: 전기
문서 형식:
모든 저자 / 참여자: Natasha Elena Staller
ISBN: 0300072422 9780300072426
OCLC 번호: 45002104
설명: xv, 438 pages : illustrations (some color) ; 29 cm
책임: Natasha Staller.

초록:

"In this book, Natasha Staller closely examines for the first time the complex and intricate dialogue between Picasso and the multiple cultures of his early life. Staller argues that to a degree never before imagined Picasso's revolutionary Cubism was saturated with his past - inspired in part by competing and colliding images, myths, and ideas from a series of cultural legacies. She tracks Picasso on his odyssey through cultures: from Malaga, where he spent his first ten years, to La Coruna, Barcelona, and finally to Paris, where he moved as a young man. She contends that Picasso's most fundamental ideas were all formed in Malaga, and that his earliest surviving works reveal particular ways of imagining the world that would continue all his life and would decisively inform the invention of Cubism. Yet Cubism could not have been invented had he not moved to Paris. Each culture became a prism through which he viewed the next.

In each case he actively transformed what he found."--Jacket.

리뷰

사용자-기여 리뷰
GoodReads 리뷰 가져오는 중…
DOGObooks 리뷰를 가지고 오는 중…

태그

첫번째 되기
요청하신 것을 확인하기

이 항목을 이미 요청하셨을 수도 있습니다. 만약 이 요청을 계속해서 진행하시려면 Ok을 선택하세요.

링크된 데이터


<http://www.worldcat.org/oclc/45002104>
library:oclcnum"45002104"
library:placeOfPublication
library:placeOfPublication
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:copyrightYear"2001"
schema:creator
schema:datePublished"2001"
schema:description"In each case he actively transformed what he found."--Jacket."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/367033008>
schema:genre"Criticism, interpretation, etc."@en
schema:genre"Biography"@en
schema:inLanguage"en"
schema:name"A sum of destructions : Picasso's cultures & the creation of Cubism"@en
schema:publication
schema:publisher
schema:reviews
rdf:typeschema:Review
schema:itemReviewed<http://www.worldcat.org/oclc/45002104>
schema:reviewBody""In this book, Natasha Staller closely examines for the first time the complex and intricate dialogue between Picasso and the multiple cultures of his early life. Staller argues that to a degree never before imagined Picasso's revolutionary Cubism was saturated with his past - inspired in part by competing and colliding images, myths, and ideas from a series of cultural legacies. She tracks Picasso on his odyssey through cultures: from Malaga, where he spent his first ten years, to La Coruna, Barcelona, and finally to Paris, where he moved as a young man. She contends that Picasso's most fundamental ideas were all formed in Malaga, and that his earliest surviving works reveal particular ways of imagining the world that would continue all his life and would decisively inform the invention of Cubism. Yet Cubism could not have been invented had he not moved to Paris. Each culture became a prism through which he viewed the next."
schema:workExample
wdrs:describedby

Content-negotiable representations

윈도우 닫기

WorldCat에 로그인 하십시오 

계정이 없으세요? 아주 간단한 절차를 통하여 무료 계정을 만드실 수 있습니다.