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| 附加的形体格式： | Online version: Harges, Mary C., 1951- Synergy and subversion in the second stage novels of Rosa Montero. New York : P. Lang, c2000 (OCoLC)606510473 Online version: Harges, Mary C., 1951- Synergy and subversion in the second stage novels of Rosa Montero. New York : P. Lang, c2000 (OCoLC)607815974 |
|---|---|
| 提及的人： | Rosa Montero; Rosa Montero |
| 材料类型： | 互联网资源 |
| 文件类型： | 书, 互联网资源 |
| 所有的著者/提供者： |
Mary C Harges |
| ISBN: | 0820451118 9780820451114 |
| OCLC号码： | 44133019 |
| 描述： | x, 138 p. ; 24 cm. |
| 内容： | The Evolution of Post-Civil War and Post-Franco Fiction by Women 5 -- Rosa Montero: Second Generation Novelist 8 -- Chapter II Authority and Marginality: Power Structures in Te tratare como a una reina 25 -- The Documentation of Power 29 -- Female Interpretation of the Crime/s 38 -- Chapter III Amado amo: The Politics of Gender in Post-Franco Corporate Spain 55 -- Paranoia, Passivity, and Power 57 -- Buying into the System 67 -- Chapter IV Rewriting Speculative Fiction: Inversion of the Gothic and Other Subversive Strategies in Temblor 75 -- The Evolution of Science Fiction 76 -- Alternate Worlds/Alternate Strategies 79 -- Chapter V Stage Three: Reflections and Predictions 107 -- Beyond Reality: Another Dimension in El nido de los suenos 110 -- Language, Illusion, and Deception in Bella y oscura 117 -- Back to the Future: La hija del canibal 121. |
| 丛书名： | Nuestra voz, vol. 6. |
| 责任： | Mary C. Harges. |
摘要：
"Rosa Montero is one of several prominent journalists and writers of fiction who have emerged in post-Franco Spain. This book focuses on Montero's prose fiction written between 1983 and 1993, the "second state" in the gradual transformation of her artistic development. It explores the innovative strategies used by Montero to interrogate the social construction of identity and to expose the underpinnings of hierarchical power.
Relying on a variety of subgenres, ranging from romance to murder mystery to speculative fiction/fantasy, Montero's work constitutes a synergetic exploitation of the conventions of journalism as well as other popular and literary modes. The resulting eclectic, subversive narrative, informed by ambiguity and experimentation, provides a blatant critique of patriarchal tradition and Francoist ideology."--Jacket.
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