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Taiwan Cinema : a Contested Nation on Screen.

Author: Guo-Juin Hong
Publisher: Basingstoke : Palgrave Macmillan, 2011.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
Offering a groundbreaking study of Taiwan cinema, this book is the first study in English to cover its entire history. Hong provides helpful insight into how Taiwan cinema is taught and studied by taking into account not only the auteurs of New Taiwan Cinema, but also the history of popular genre films before the 1980s. The book will be essential reading for students and scholars of Taiwan, film and visual studies,  Read more...
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Genre/Form: Electronic books
Additional Physical Format: Print version:
Hong, Guo-Juin.
Taiwan Cinema : A Contested Nation on Screen.
Basingstoke : Palgrave Macmillan, ©2011
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Guo-Juin Hong
ISBN: 9780230118324 0230118321 1283067293 9781283067294
OCLC Number: 712015808
Notes: Cover; Title; Copyright; Dedication; Contents; List of Illustrations; Acknowledgments; Notes on Names and Romanization; Introduction: Taiwan Cinema and the Historiography of Absence; Part I Genres; 1 Colonial Archives, Postcolonial Archaeology: Pre-1945 Taiwan and the Hybrid Texts of Cinema before Nation; 2 Cinema among Genres: An Unorthodox History of Taiwan's Dialect Cinema, 1955-1970; 3 Tracing a Journeyman's Electric Shadow: Healthy Realism, Cultural Policies, and Lee Hsing,1964-1980; Interlude: Hou Hsiao-Hsien before Hou Hsiao-Hsien: Film Aesthetics in Transition, 1980-1982.
Description: 1 online resource (247 pages)
Contents: Cover; Title; Copyright; Dedication; Contents; List of Illustrations; Acknowledgments; Notes on Names and Romanization; Introduction: Taiwan Cinema and the Historiography of Absence; Part I Genres; 1 Colonial Archives, Postcolonial Archaeology: Pre-1945 Taiwan and the Hybrid Texts of Cinema before Nation; 2 Cinema among Genres: An Unorthodox History of Taiwan's Dialect Cinema, 1955-1970; 3 Tracing a Journeyman's Electric Shadow: Healthy Realism, Cultural Policies, and Lee Hsing,1964-1980; Interlude: Hou Hsiao-Hsien before Hou Hsiao-Hsien: Film Aesthetics in Transition, 1980-1982.

Abstract:

Offering a groundbreaking study of Taiwan cinema, this book is the first study in English to cover its entire history. Hong provides helpful insight into how Taiwan cinema is taught and studied by taking into account not only the auteurs of New Taiwan Cinema, but also the history of popular genre films before the 1980s. The book will be essential reading for students and scholars of Taiwan, film and visual studies, and those interested in the larger context of East Asian cultural history.

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