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Taking it to the streets : the social protest theater of Luis Valdez and Amiri Baraka

저자: Harry Justin Elam
출판사: Ann Arbor : University of Michigan Press, ©1997.
시리즈: Theater--theory/text/performance.
판/형식:   Print book : 주 또는 도 정부 간행물 : 영어모든 판과 형식 보기
데이터베이스:WorldCat
요약:
The performances of Luis Valdez's El Teatro Campesino, the farmworkers' theater, and Amiri Baraka's Black Revolutionary Theater (BRT) during the '60s and '70s offer preeminent examples of social protest theater during a momentous and tumultuous historical juncture.
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상세정보

장르/형태: Criticism, interpretation, etc
추가적인 물리적 형식: Online version:
Elam, Harry Justin.
Taking it to the streets.
Ann Arbor : University of Michigan Press, ©1997
(OCoLC)648669012
명시된 사람: Luis Valdez; Amiri Baraka; Imamu Amiri Baraka; Luis Valdez; Amiri Baraka; Luis Valdez; Imamu Amiri Baraka; Luis Valdez
자료 유형: 정부 간행물, 주 또는 도 정부 간행물
문서 형식:
모든 저자 / 참여자: Harry Justin Elam
ISBN: 0472107933 9780472107933 0472087681 9780472087686
OCLC 번호: 35688174
설명: xi, 187 pages : illustrations ; 24 cm.
내용: An initiation into the rituals of social protest theater: the cultural politics of El Teatro Campesino and the Black Revolutionary Theater --
Synergy --
the social environment as an active agent: Black Ice and Las Dos Caros del Patroncito --
Generating social changes and cultural affirmation: content and form in the plays of El Teatro and the BRT --
Rehearsing the revolution onstage: the social performance text and the performance space --
Performers and spectators: spiritual communion and subversive celebratin --
The rituals of social protest theater: reconsiderations and conclusions.
일련 제목: Theater--theory/text/performance.
책임: Harry J. Elam, Jr.
더 많은 정보:

초록:

The performances of Luis Valdez's El Teatro Campesino, the farmworkers' theater, and Amiri Baraka's Black Revolutionary Theater (BRT) during the '60s and '70s offer preeminent examples of social protest theater during a momentous and tumultuous historical juncture.

In Taking It to the Streets, Harry Elam compares the performance methodologies, theories, and practices of the two groups, highlighting their cross-cultural commonalities and providing insights into the complex genre of social protest performance and its interchange with its audience. He examines the ways in which ritual can be seen to operate within the productions of El Teatro and the BRT, uniting audience and performers in subversive, celebratory protest by transforming spectators into active participants within the theater walls - and into revolutionary activists outside.

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