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Tchaikovsky.

Autor Edward Garden
Vydavatel: London, Dent; New York, Octagon Books, 1973.
Edice: Master musicians series.
Vydání/formát:   book_printbook : EnglishZobrazit všechny vydání a formáty
Databáze:WorldCat
Shrnutí:
This is not a volume of the complete "life and works" type. That would be impossible in the limited space at my disposal. Nevertheless it will serve both as an introduction to Tchaikovsky for the general reader and also, I hope, as a long overdue reassessment of a composer whose compositions tend to produce a totally different though equally stereotyped reaction in the sophisticated critic on the one hand, and the  Přečíst více...
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Detaily

Žánr/forma: Biographies
Doplňující formát: Online version:
Garden, Edward.
Tchaikovsky.
London, Dent; New York, Octagon Books, 1973
(OCoLC)772984730
Osoba: Peter Ilich Tchaikovsky; Peter Ilich Tchaĭkovsky; Peter Ilich Tchaikovsky; Peter Ilich Tchaikovsky
Typ dokumentu: Book
Všichni autoři/tvůrci: Edward Garden
ISBN: 0460031058 9780460031059 0460031422 9780460031424 0460021877 9780460021876
OCLC číslo: 762187
Popis: viii, 194, [8] pages illustrations, facsimiles, portraits, music 20 cm.
Obsahy: 1840-1866 : The child, the adolescent and the young man --
1866-1869 : Early years in Moscow --
1869-1874 : The complete nationalist --
1874 : Nationalist operas --
1874-1876 : Increasing subjectiveness --
1876-1877 : The climacteric --
1877-1878 : Aftermath of marriage --
1878-1885 : Emotional relaxation and creative torpor --
1885-1888 : Creative renewal --
1888-1890 : The last years (1) --
1890-1893 : The last years (2) --
Sixth Symphony, death and posthumous influence --
Appendices. Calendar --
Catalogue of works --
Personalia --
Select bibliography.
Název edice: Master musicians series.

Anotace:

This is not a volume of the complete "life and works" type. That would be impossible in the limited space at my disposal. Nevertheless it will serve both as an introduction to Tchaikovsky for the general reader and also, I hope, as a long overdue reassessment of a composer whose compositions tend to produce a totally different though equally stereotyped reaction in the sophisticated critic on the one hand, and the plain, unprejudiced listener on the other. It replaces Edwin Evans's volume, the original edition of which dates from as long ago as 1906, since when substantial new Russian material has become available. - Preface.

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