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The technique of film editing

Auteur : Karel Reisz; Gavin Millar; British Film Academy.
Éditeur : New York : Hastings House Publishers, 1968.
Collection : Communication arts books.; Library of communication techniques.
Édition/format :   Livre imprimé : English : [2d enl. ed.]Voir toutes les éditions et tous les formats
Base de données :WorldCat
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Détails

Format – détails additionnels : Online version:
Reisz, Karel.
Technique of film editing.
New York, Hastings House [1968]
(OCoLC)573359476
Format : Book
Tous les auteurs / collaborateurs : Karel Reisz; Gavin Millar; British Film Academy.
Numéro OCLC : 483741
Description : 411 pages : illustrations, portraits ; 23 cm.
Contenu : I. The history of editing : 1. Editing and the silent film : The beginnings of film continuity ; Griffith: dramatic emphasis ; Pudovkin: Constructive editing ; Eisenstein: intellectual montage --
2. Editing and the sound film : General ; Who edits a film? ; The order of shots ; Selection of camera set-ups: emphasis ; Timing ; Presentation: smoothness ; The contribution of editing ; Special styles of editing --
II. The practice of editing : 3. Action sequences --
4. Dialogue sequences --
5. Comedy sequences --
6. Documentary reportage --
7. Imaginative documentary --
8. The documentary film of ideas --
9. The documentary and the use of sound --
10. Educational films --
11. Newsreels --
12. The compilation film --
III. Principles of editing : 13. Editing the picture : General ; Constructing a lucid continuity: smoothness ; Matching consecutive actions Extent of change in image size and angle ; Preserving a sense of direction ; Preserving a clear continuity ; Matching tone ; Making sound flow over a cut ; Timing ; Pace: rhythm ; Selection of shots --
14. Sound editing : General ; Analysis of a sound track ; Sound and the editing of the picture --
IV. The fifties and sixties : 15. Introduction --
16. Widescreen : General ; River of no return ; Andre Bazin ; Widescreen examples --
17. Cinema verite and the documentary film of ideas : Cinema verite ; Chronolique d'un ete ; Le joli mai ; Hotel des invalides --
18. Nouvelle vague : Camera style ; New wave --
19. Personal cinema in the sixties : Francois Truffaut ; Jean-Luc Godard ; Alain Resnais ; Michelangelo Antonioni --
20. Conclusion.
Titre de collection : Communication arts books.; Library of communication techniques.
Responsabilité : written and compiled by Karel Reisz and Gavin Millar, with the guidance of the following committee appointed by the British Film Academy: Thorold Dickinson, chairman [and others] Introduced by Thorold Dickinson.

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