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Technology and film scholarship : experience, study theory

Author: Santiago Hidalgo; André Gaudreault
Publisher: Amsterdam : Amsterdam University Press, [2018] ©2018
Series: Film theory in media history.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
"This volume brings together a wide range of research on the ways in which technological innovations have established new and changing conditions for the experience, study and theorization of film. Drawn from the IMPACT film conference (The Impact of Technological Innovations on the Historiography and Theory of Cinema) held in Montreal in 2011, the book includes contributions from such leading figures in the field  Read more...
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Genre/Form: History
Additional Physical Format: Electronic version:
Technology and film scholarship.
Amsterdam : Amsterdam University Press, [2018]
(OCoLC)1019871722
Document Type: Book
All Authors / Contributors: Santiago Hidalgo; André Gaudreault
ISBN: 9089647546 9789089647542
OCLC Number: 994318109
Description: 264 pages : illustrations (some color) ; 24cm
Contents: Foreword Andr� Gaudreault[-][-]Introduction The Discursive Spaces Between a History of Film Technology and Technological Experience [-]Santiago Hidalgo[-][-]SECTION I: EXPERIENCE[-]Chapter 1 [-]When Did Cinema Become Cinema?: Technology, History, and the Moving Pictures[-]Charles Musser[-][-]Chapter 2[-]Exhibition Practices in Transition: Spectators, Audiences, and Projectors[-]Jan Olsson[-][-]Chapter 3 [-]Reel Changes: Post-mortem Cinephilia or the Resistance of Melancholia[-]Andr� Habib[-][-]Chapter 4 [-]Walter Benjamin's Play Room: Where the Future So Eloquently Nests Or: What is Cinema Again?[-]Dana Cooley[-][-]SECTION II: STUDY[-]Chapter 5 [-]Hitchcock, Film Studies, and New Media: The Impact of Technology on the Analysis of Film[-]David Colangelo[-][-]Chapter 6 [-]Film Analysis and Statistics: A Field Report[-]Charles O'Brien[-][-]Chapter 7 [-]A 'Distant Reading' of the 'Chaser Theory': Local Views and the Digital Generation of New Cinema History[-]Paul Moore[-][-]SECTION III: THEORY[-]Chapter 8 [-]Graphism: A New Approach to the Evolution of Film Language Through Technology[-]Tom Gunning[-][-]Chapter 9 [-]Can We Have the Cave and Leave It Too? On the Meaning of Cinema as Technology[-]Vinzenz Hediger[-][-]Chapter 10 [-]On Viewfinders, Video Assist Systems, and Tape Splicers: Questioning the History of Techniques and Technology in Cinema[-]Beno�t Turquety[-][-]
Series Title: Film theory in media history.
Responsibility: edited by Santiago Hidalgo ; foreword by André Gaudreault.

Abstract:

This volume brings together a wide range of research on the ways in which technological innovations have established new and changing conditions for the experience, study and theorization of film.  Read more...

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