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El Tema De La Simulaction En El Teatro De Cinco Paises Hispano Americanos Del Siglo XX : the Theme of Imposters in Five Hispanic American/Caribbean Plays of the Twentieth Century.

Author: Koji Nishida
Publisher: Lewiston : The Edwin Mellen Press, 2013.
Edition/Format:   eBook : Document : SpanishView all editions and formats
Summary:
This book investigates the theme of imposters in three Hispanic American plays and two Caribbean plays from the early twentieth century. The author has selected each play from a different country so that the scholarship presents a broader perspective of Hispanic American and Caribbean themes. In these five plays, the main characters fabricate their own identities for various reasons. My focus is on analyzing those  Read more...
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Genre/Form: Electronic books
Criticism, interpretation, etc
Additional Physical Format: Print version:
Nishida, Koji.
Tema De La Simulaction En El Teatro De Cinco Paises Hispano Americanos Del Siglo XX : The Theme of Imposters in Five Hispanic American/Caribbean Plays of the Twentieth Century.
Lewiston : The Edwin Mellen Press, ©2013
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Koji Nishida
ISBN: 9780773418073 0773418075
OCLC Number: 831117229
Description: 1 online resource (258 pages)
Contents: EL TEMA DE LA SIMULACIÓN EN EL TEATRO DE CINCO PAÍSES HISPANOAMERICANOS DEL SIGLO XX --
The Theme of Imposters in Five Hispanic American/Caribbean Plays of the Twentieth Century; Copyright Page; Table of Contents; Preface; Prefacio; Introducción; Capítulo 1 --
Saverio, el cruel de Roberto Arlt (1936); Capítulo 2 --
El gesticulador de Rodolfo Usigli (1938); Capítulo 3 --
Vejigantes de Francisco Arriví (1958); Capítulo 4 --
Espigas maduras de Franklin Domínguez (1958); Capítulo 5 --
El delantal blanco de Sergio Vodanović (1964); Conclusión; Index.
Other Titles: Theme of Imposters in Five Hispanic American/Caribbean Plays of the Twentieth Century

Abstract:

This book investigates the theme of imposters in three Hispanic American plays and two Caribbean plays from the early twentieth century. The author has selected each play from a different country so that the scholarship presents a broader perspective of Hispanic American and Caribbean themes. In these five plays, the main characters fabricate their own identities for various reasons. My focus is on analyzing those imposters and on presenting how the dramatists present these types of imposters in their works. Identity is one of the most prominent themes in Hispanic American and Caribbean litera.

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