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The tempest

Auteur : William Shakespeare; Christine Dymkowski
Éditeur : Cambridge, UK ; New York : Cambridge University Press, 2000.
Édition/format :   Print book : AnglaisVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
This edition of The Tempest is the first dedicated to its stage history. Drawing on a wide variety of sources, it examines four centuries of mainstream, regional, and fringe productions in Britain (including Dryden and Davenant's Restoration adaptation), nineteenth- and twentieth-century American stagings, and recent Australian, Canadian, French, Italian, and Japanese productions. In a substantial, illustrated  Lire la suite...
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Détails

Genre/forme : Tragicomedy
Verzeichnis
Drama
Format – détails additionnels : Online version:
Shakespeare, William, 1564-1616.
Tempest.
Cambridge, UK ; New York : Cambridge University Press, 2000
(OCoLC)606525550
Personne nommée : William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare
Type d’ouvrage : Ressource Internet
Format : Livre, Ressource Internet
Tous les auteurs / collaborateurs : William Shakespeare; Christine Dymkowski
ISBN : 0521444071 9780521444071 0521783755 9780521783750
Numéro OCLC : 42692159
Description : xxxii, 373 pages : illustrations ; 24 cm.
Contenu : The Tempest and commentary --
App. 1. selected textual variations --
App. 2. list of principal players.
Responsabilité : edited by Christine Dymkowski.
Plus d’informations :

Résumé :

This edition of The Tempest is the first dedicated to its stage history. Drawing on a wide variety of sources, it examines four centuries of mainstream, regional, and fringe productions in Britain (including Dryden and Davenant's Restoration adaptation), nineteenth- and twentieth-century American stagings, and recent Australian, Canadian, French, Italian, and Japanese productions. In a substantial, illustrated Introduction Dymkowski analyses the cultural significance of changes in the play's theatrical representation, for example, when and why Caliban began to be represented by a black actor, and Ariel became a man's role rather than a woman's. The commentary annotates each line of the play with details about acting, setting, textual alteration and cuts, and contemporary reception. With extensive quotation from contemporary commentators and detail from unpublished promptbooks, the edition offers both an accessible account of the play's changing meanings and a valuable resource for further research.

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