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Terpentin 2012 turpentine

Author: Albert Oehlen; Stephan Berg; John Corbett; Christoph Schreier; Städtisches Kunstmuseum Bonn.
Publisher: Ostfildern : Hatje/Cantz, 2012.
Edition/Format:   Print book : Biography : GermanView all editions and formats
Database:WorldCat
Summary:
Albert Oehlen's oeuvre, which covers a period of more than thirty years, is distinguished by its fundamental skepticism about the potential of painting as a medium. Instead of turning his back on painting, however, the artist uses the medium itself to articulate this skepticism. Throughout what he once termed his "post-non-concrete representation"--The crude, provocative attacks of the 1980s to the cool,  Read more...
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Details

Genre/Form: Exhibition catalogs
Interviews
Exhibitions
Named Person: Albert Oehlen; Albert Oehlen; Albert Oehlen; Albert Oehlen; Albert Oehlen; Albert Oehlen
Material Type: Biography
Document Type: Book
All Authors / Contributors: Albert Oehlen; Stephan Berg; John Corbett; Christoph Schreier; Städtisches Kunstmuseum Bonn.
ISBN: 9783775732369 3775732365
OCLC Number: 765812663
Language Note: In German with English translations.
Notes: Includes 2 interviews with the artist.
Published on the occasion of an exhibition presented at the Kunstmuseum Bonn from Mar. 1-June 3, 2012.
Description: 139 pages : illustrations (some color) ; 30 cm
Contents: Cold fever --
Storm damage --
Albert Oehlen's painting as a visual stress test --
Mangy: a conversation and a playlist.
Other Titles: Albert Oehlen :
Albert Oehlen, Terpentin 2012
Albert Oehlen, turpentine 2012
Responsibility: Albert Oehlen ; herausgegeben von = edited by Stephan Berg ; Texte von = texts by Stephan Berg, John Corbett, Christoph Schreier.

Abstract:

Albert Oehlen's oeuvre, which covers a period of more than thirty years, is distinguished by its fundamental skepticism about the potential of painting as a medium. Instead of turning his back on painting, however, the artist uses the medium itself to articulate this skepticism. Throughout what he once termed his "post-non-concrete representation"--The crude, provocative attacks of the 1980s to the cool, computer-based images of the 1990s and the overpainted advertising and more abstract expressive style of recent years--Oehlen has always striven to blend the passion of the painter with a sense of critical distance. This publication features examples of the artist's work from all these periods of creativity, thus rendering visible the dialectic that pervades the entire body of work and that does away with the differentiation between the figurative and the abstract.

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