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Terror tracks : music, sound and horror cinema
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Terror tracks : music, sound and horror cinema

Author: Philip Hayward
Publisher: London ; Oakville, CT : Equinox, 2009.
Series: Genre, music and sound.
Edition/Format:   Book : EnglishView all editions and formats
Summary:

An anthology that analyses the use of music and sound in the popular genre of Horror cinema. Focusing on the post-War period, it analyses the role of music and sound in establishing and enhancing the  Read more...

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Additional Physical Format: Online version:
Terror tracks.
London ; Oakville, CT : Equinox, 2009
(OCoLC)639787838
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Philip Hayward
ISBN: 9781845532024 1845532023
OCLC Number: 156975375
Description: x, 286 p. : ill., music ; 23 cm.
Contents: Psycho-analysis : form and function in Bernard Herrmann's music for Hitchcock's Masterpiece / James Wierzbicki --
An audiovisual foreshadowing in Psycho / Scott Murphy --
Sound and music in Hammer's vampire films / Michael Hannan --
Creative soundtrack expression : Tôru Takemitsu's score for Kwaidan / Kyoko Koizumi --
Prog rock, the horror film and sonic excess : Dario Argento, Morricone and Goblin / Tony Mitchell --
Inflamed : synthetic folk music and paganism in the island world of The wicker man / Jon Fitzgerald and Philip Hayward --
Rhythms of evil : exorcising sound from The exorcist / Mark Evans --
Texas chainsaws : audio effect and iconicity / Rebecca Coyle and Philip Hayward --
Incorporating monsters : music as context, character and construction in Kubrick's The shining / Jeremy Barham --
Music of the night : scoring the vampire in contemporary film / Janet K. Halfyard --
Scary movies, scary music : uses and unities of heavy metal in the contemporary horror film / Lee Barron and Ian Inglis --
Like razors through flesh : Hellraiser's sound design and music / Karen Collins --
Spooked by sound : the Blair witch project / Rebecca Coyle --
Popular songs and ordinary violence : exposing basic human brutality in the films of Rob Zombie / Laura Wiebe Taylor --
Terror in the outback : Wolf Creek and Australian horror cinema / Philip Hayward and Harry Minassian --
The ghostly noise of J-horror : roots and ramifications / James Wierzbicki.
Series Title: Genre, music and sound.
Responsibility: edited by Philip Hayward.
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schema:description"Psycho-analysis : form and function in Bernard Herrmann's music for Hitchcock's Masterpiece / James Wierzbicki -- An audiovisual foreshadowing in Psycho / Scott Murphy -- Sound and music in Hammer's vampire films / Michael Hannan -- Creative soundtrack expression : Tôru Takemitsu's score for Kwaidan / Kyoko Koizumi -- Prog rock, the horror film and sonic excess : Dario Argento, Morricone and Goblin / Tony Mitchell -- Inflamed : synthetic folk music and paganism in the island world of The wicker man / Jon Fitzgerald and Philip Hayward -- Rhythms of evil : exorcising sound from The exorcist / Mark Evans -- Texas chainsaws : audio effect and iconicity / Rebecca Coyle and Philip Hayward -- Incorporating monsters : music as context, character and construction in Kubrick's The shining / Jeremy Barham -- Music of the night : scoring the vampire in contemporary film / Janet K. Halfyard -- Scary movies, scary music : uses and unities of heavy metal in the contemporary horror film / Lee Barron and Ian Inglis -- Like razors through flesh : Hellraiser's sound design and music / Karen Collins -- Spooked by sound : the Blair witch project / Rebecca Coyle -- Popular songs and ordinary violence : exposing basic human brutality in the films of Rob Zombie / Laura Wiebe Taylor -- Terror in the outback : Wolf Creek and Australian horror cinema / Philip Hayward and Harry Minassian -- The ghostly noise of J-horror : roots and ramifications / James Wierzbicki."
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