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Terror tracks : music, sound and horror cinema

Author: Philip Hayward
Publisher: London ; Oakville, CT : Equinox, 2009.
Series: Genre, music and sound.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
Commissioned and edited to appeal to a crossover Film and Music Studies readership, Terror Tracks is an anthology that analyses the use of music and sound in the popular genre of Horror cinema. Focusing on the post-War period, contributors analyse the role of music and sound in establishing and enhancing the senses of unease, suspense and shock crucial to the genre. The anthology shows the various patterns of use an  Read more...
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Genre/Form: Electronic books
Criticism, interpretation, etc
Additional Physical Format: Print version:
Terror tracks.
London ; Oakville, CT : Equinox, 2009
(DLC) 2007030272
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Philip Hayward
ISBN: 1845537300 9781845537302
OCLC Number: 647929443
Reproduction Notes: Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL
Description: 1 online resource (x, 286 pages) : illustrations, music.
Details: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Contents: Psycho-analysis : form and function in Bernard Herrmann's music for Hitchcock's Masterpiece / James Wierzbicki --
An audiovisual foreshadowing in Psycho / Scott Murphy --
Sound and music in Hammer's vampire films / Michael Hannan --
Creative soundtrack expression : Toro Takemitsu's score for Kwaidan / Kyoko Koizumi --
Prog rock, the horror film and sonic excess : Dario Argento, Morricone and Goblin / Tony Mitchell --
Inflamed : synthetic folk music and paganism in the island world of The wicker man / Jon Fitzgerald and Philip Hayward --
Rhythms of evil : exorcising sound from The exorcist / Mark Evans --
Texas chainsaws : audio effect and iconicity / Rebecca Coyle and Philip Hayward --
Incorporating monsters : music as context, character and construction in Kubrick's The shining / Jeremy Barham --
Music of the night : scoring the vampire in contemporary film / Janet K. Halfyard --
Scary movies, scary music : uses and unities of metal in the contemporary horror film / Lee Barron and Ian Inglis --
Like razors through flesh : Hellraiser/s sound design and music / Karen Collins --
Spooked by sound : the Blair witch project / Rebecca Coyle --
Popular songs and ordinary violence : exposing basic human brutality in the films of Rob Zombie / Laura Wiebe Taylor --
Terror in the outback : Wolf Creek and Australian horror cinema / Philip Hayward and Harry Minassian --
The ghostly noise of J-horror : roots and ramifications / James Wierzbicki.
Series Title: Genre, music and sound.
Responsibility: edited by Philip Hayward.
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Abstract:

An anthology that analyses the use of music and sound in the popular genre of Horror cinema. Focusing on the post-War period, it analyses the role of music and sound in establishing and enhancing the  Read more...

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