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Testament of music, essays and papers.

Author: Ernest Newman
Publisher: New York, Knopf, 1963.
Edition/Format:   Book : EnglishView all editions and formats
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Additional Physical Format: Online version:
Newman, Ernest, 1868-1959.
Testament of music, essays and papers.
New York, Knopf, 1963
(OCoLC)592671093
Document Type: Book
All Authors / Contributors: Ernest Newman
OCLC Number: 598737
Description: 312 pages illustrations 22 cm
Contents: Confessions of a musical critic, 1923 --
English music and musical criticism, 1901 --
The music of the future, 1902 --
Some early non-musical writings. From Form in the novel, 1981 ; A note on George Meredith, 1903 ; Mr. Meredith and the comic spirit, 1903 ; The novelist and the musician, 1903 ; The animal in fiction, 1903 --
Contributions to the Birmingham post. The prima donna in print, 1911 ; The first English performance of The girl of the golden west, 1911 ; Mozart and Strauss, 1911 ; Verdi, 1913 ; Der Rosenkavalier, the new Strauss opera at Covent Garden, 1913 ; Schonberg's five orchestral pieces, 1914 --
The Newman-Shaw controversy concerning Richard Strauss, 1910 and 1914 --
Contributions to the Nation. The case of Arnold Schonberg, 1912 ; Mahler's Seventh symphony, 1913 ; Scriabine's Prometheus, 1913 ; Ariadne auf naxos, 1913 --
Contributions to the New witness. Strauss's new symphony, 1915 ; Boris Godounov, 1916 ; Granados and his Goyescas, 1916 --
Contributions to the New York post. The speed of music, 1924 ; Letter from a lady, 1924 ; A note on Puccini, 1924 ; Two open letters upon the season at the Metropolitan Opera House, 1924 ; Igor Stravinsky and his works, 1924 --
The spirit of the age, 1930 ; Wolf's instrumental works, 1940 ; Beethoven: the last phase, 1950. [cont.] Excerpts. The meaning of science, 1892 ; The coming menace, 1892 ; A note on death, 1892 ; Ibsen, 1893 ; Kipling, 1893 ; Richard Le Gallienne's Religion of a literary man, 1893 ; Mascagni and the opera, 1894 ; Amiel, 1895 ; The need for banking reform, 1901 ; The new school of British music, 1902 ; Holbrooke, 1902 ; Richard Strauss, 1903 ; Wolf, 1904 ; Music and morals, 1903 ; The critic's frailty, 1903 ; Shaw and super-Shaw, 1903 ; Opera in England, 1908 ; Elgar, 1903 ; Opera and the English, 1903 ; Feuersnot, 1910 ; Nietzsche's criticism of Wagner, 1910 ; Beethoven, 1912 ; Granville Bantock, 1912 ; On the critic and musical criticism, 1917 ; Putting the classics in their place, 1918 ; Debussy, 1916, 1918 ; The musician and his environment, 1917 ; A school for critics, 1916 ; Beethoven, 1917 ; Bizet, 1917 ; The Russian song 1917 ; Moussorgsky, 1917 ; Rimsky-Korsakov, 1917 ; Scriabine, 1918 ; Glinka, 1917 ; Manfred (Schumann), 1918 ; The Valkyrie, 1918 ; Puccini, 1918 ; Salome, 1918 ; The perfect accompanist, 1918 ; Bandbox opera, 1918 ; Nonsense music, 1918 ; Tempo, 1918 ; The unfinished in music, 1918 ; The small poem in music, 1918 ; Sir Hubert Parry, 1919 ; On flogging, 1923 --
From A musical critic's holiday, 1924.
Responsibility: Edited by Herbert Van Thal.

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schema:description"[cont.] Excerpts. The meaning of science, 1892 ; The coming menace, 1892 ; A note on death, 1892 ; Ibsen, 1893 ; Kipling, 1893 ; Richard Le Gallienne's Religion of a literary man, 1893 ; Mascagni and the opera, 1894 ; Amiel, 1895 ; The need for banking reform, 1901 ; The new school of British music, 1902 ; Holbrooke, 1902 ; Richard Strauss, 1903 ; Wolf, 1904 ; Music and morals, 1903 ; The critic's frailty, 1903 ; Shaw and super-Shaw, 1903 ; Opera in England, 1908 ; Elgar, 1903 ; Opera and the English, 1903 ; Feuersnot, 1910 ; Nietzsche's criticism of Wagner, 1910 ; Beethoven, 1912 ; Granville Bantock, 1912 ; On the critic and musical criticism, 1917 ; Putting the classics in their place, 1918 ; Debussy, 1916, 1918 ; The musician and his environment, 1917 ; A school for critics, 1916 ; Beethoven, 1917 ; Bizet, 1917 ; The Russian song 1917 ; Moussorgsky, 1917 ; Rimsky-Korsakov, 1917 ; Scriabine, 1918 ; Glinka, 1917 ; Manfred (Schumann), 1918 ; The Valkyrie, 1918 ; Puccini, 1918 ; Salome, 1918 ; The perfect accompanist, 1918 ; Bandbox opera, 1918 ; Nonsense music, 1918 ; Tempo, 1918 ; The unfinished in music, 1918 ; The small poem in music, 1918 ; Sir Hubert Parry, 1919 ; On flogging, 1923 -- From A musical critic's holiday, 1924."@en
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