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The invisible ideology of white light
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The invisible ideology of white light

著者: Richard Misek
出版商: Taylor & Francis
版本/格式: 文章 文章 : EN
资源:New Review of Film and Television Studies, 8, no. 2 (2010): 125-143
数据库:ArticleFirst
其它数据库: Elsevier
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文档类型 文章
所有的著者/提供者: Richard Misek
ISSN:1740-0309
语言注释: EN
专有的标识符 615454070
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    schema:description "This paper explores the role of white light in film history. It argues that, though we live our lives immersed in 'white' daylight, the historical hegemony of white light within moving images has been far from inevitable. The paper elaborates this claim by focusing on how and why Technicolor Inc. predicated its infamous but influential 'law of emphasis' on white balanced lighting, and by foregrounding ways in which subsequent uses of and discourses about colour in film have assumed the presence of full-spectrum light. Having drawn attention to this imperceptible - and so, until now, unnoticed - visual ideology, the paper then explores cinematic challenges to the hegemony of white light in films including South Pacific, Querelle and Chunkging Express." ;
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