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The invisible ideology of white light
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The invisible ideology of white light

作者: Richard Misek
出版商: Taylor & Francis
版本/格式: 文章 文章 : EN
刊登於:New Review of Film and Television Studies, 8, no. 2 (2010): 125-143
資料庫:ArticleFirst
其他資料庫: WorldCat
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文件類型: 文章
所有的作者/貢獻者: Richard Misek
ISSN:1740-0309
語言註釋: EN
專有的識別號: 615454070
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    schema:description "This paper explores the role of white light in film history. It argues that, though we live our lives immersed in 'white' daylight, the historical hegemony of white light within moving images has been far from inevitable. The paper elaborates this claim by focusing on how and why Technicolor Inc. predicated its infamous but influential 'law of emphasis' on white balanced lighting, and by foregrounding ways in which subsequent uses of and discourses about colour in film have assumed the presence of full-spectrum light. Having drawn attention to this imperceptible - and so, until now, unnoticed - visual ideology, the paper then explores cinematic challenges to the hegemony of white light in films including South Pacific, Querelle and Chunkging Express." ;
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