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Theater talk. / Eric Idle on Spamalot

著者: Eric Idle; Michael Riedel; Susan Haskins; Adam Walker; Theater Talk Productions.
出版: New York, ©2005.
シリーズ: Theater talk
エディション/フォーマット:   DVD : English
データベース:WorldCat
概要:
Eric Idle, founding member of the Monty Python comedy troupe, discusses the new Broadway musical Spamalot, based on the 1974 film Monty Python and the Holy Grail. Idle, who wrote the book and lyrics for the show and also collaborated on the score, discusses the process of adapting the film to the stage with hosts Michael Riedel and Susan Haskins, and analyzes the Monty Python style of comedy. He also looks back at
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ジャンル/形式: Interviews
Talk shows
Television
関連の人物: Eric Idle; John Du Prez; Stephen Flaherty; Christina Applegate; Cy Coleman; Barry Weissler
資料の種類: Videorecording
ドキュメントの種類: 視覚資料
すべての著者/寄与者: Eric Idle; Michael Riedel; Susan Haskins; Adam Walker; Theater Talk Productions.
OCLC No.: 299169985
注記: Credits at end of tape.
This is Episode # 1116 of Theater Talk.
出演者: Interviewers: Michael Riedel and Susan Haskins.
注記: Videotaped in the CUNY-TV studios at the Graduate School & University Center/CUNY, New York, N.Y., March 18, 2005.
物理形態: 1 videodisc (27 min.) : sd., col. ; 4 3/4 in. (DVD)
シリーズタイトル: Theater talk
責任者: [produced by] Susan Haskins, Theater Talk Productions, Inc. ; director, Adam Walker.

概要:

Eric Idle, founding member of the Monty Python comedy troupe, discusses the new Broadway musical Spamalot, based on the 1974 film Monty Python and the Holy Grail. Idle, who wrote the book and lyrics for the show and also collaborated on the score, discusses the process of adapting the film to the stage with hosts Michael Riedel and Susan Haskins, and analyzes the Monty Python style of comedy. He also looks back at an earlier musical with which he was involved, Seussical, and explores possible reasons why the show was not a success on Broadway.

In a second segment, co-hosts Riedel and Haskins discuss the recent problems of Christina Applegate and the revival of the 1966 Cy Coleman musical Sweet Charity. Applegate, who broke her foot during a performance of the show in Chicago, was almost replaced in the title role but persuaded producer Barry Weissler to keep her in the lead. Includes a brief clip of rehearsal footage.

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