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Theatre and consciousness : explanatory scope and future potential

Author: Daniel Meyer-Dinkgräfe
Publisher: Bristol, U.K. ; Portland, OR. : Intellect Books, 2005.
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:
Many disciplines of scholarship are now involved in the study of consciousness: philosophy, neurosciences, psychology, physics and biology, and approaches focusing on human experience. Scholarly interest in the relationship of consciousness to theatre is also growing steadily. This book discusses a range of questions relevant to understanding the phenomenon of theatre against a consciousness studies background.  Read more...
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Genre/Form: Online-Publikation
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Daniel Meyer-Dinkgräfe
ISBN: 1841501301 9781841501307
OCLC Number: 60842407
Description: vi, 230 pages : illustrations ; 23 cm
Responsibility: Daniel Meyer-Dinkgräfe.
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Abstract:

Many disciplines of scholarship are now involved in the study of consciousness: philosophy, neurosciences, psychology, physics and biology, and approaches focusing on human experience. Scholarly interest in the relationship of consciousness to theatre is also growing steadily. This book discusses a range of questions relevant to understanding the phenomenon of theatre against a consciousness studies background. Those questions include: What inspires the dramatist to write a play? ; How do different plays reflect human consciousness? ; What kinds of new ideas did major directors or theatre makers, such as Artaud, Grotowski, Barba, and Brook introduce? ; Should actors be personally involved with the emotions they have to portray? ; Are puppets or marionettes superior to actors? ; How to account for the designer's combination of creativity and practical skill? ; How does theatre affect the spectator?

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