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Theatre History Studies 2012 : Volume 32.

Author: Rhona Justice-MalloyBill RauchVirginia ScottLisa Jackson-SchebettaChristine WoodworthAll authors
Publisher: Alabama : University of Alabama Press, 2012.
Series: Theatre History Studies.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Database:WorldCat
Summary:
Theatre History Studies, currently edited by Rhona Justice-Malloy, is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana,  Read more...
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Genre/Form: Electronic books
Periodicals
Additional Physical Format: Print version:
Justice-Malloy, Rhona
Theatre History Studies 2012 : Volume 32
Alabama : University of Alabama Press,c2012
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Rhona Justice-Malloy; Bill Rauch; Virginia Scott; Lisa Jackson-Schebetta; Christine Woodworth; Penny Farfan; Thomas Robson; Richard L Poole; Victor Holtcamp; Heather A Beasley; Shawna Mefford Carroll; Miriam Chirico; Stacey Connelly; J Fisher; Richard Fotheringham; Elinor Fuchs; Perry Gethner; Helen Huff; Felicia Hardison Londré; Adrienne Macki Braconi; Chris M McCoy; Katharine M Rogers; Mark Seamon; Chad Allen Thomas; Aaron M Tobiason; Sophie Tomlinson; Dan Venning; Gary Jay Williams; Don B Wilmeth; Marlis Schweitzer; Scott R Irelan
ISBN: 9780817386306 0817386300
OCLC Number: 817886370
Notes: Description based upon print version of record.
Description: 1 online resource (263 p.)
Contents: List of Illustrations; Company: Keynote Speech from the Thirty-second Mid-AmericaTheatre Conference --
Bill Rauch; Cut the Cow, Cut the Queen: Problems of Cultural Translation --
Virginia Scott; Companies to Keep: Air-Raid Dramas and International Ethical Responsibility in America, 1936-1939 --
Lisa Jackson-Schebetta; A Failed Attempt at World Domination: "Advanced Vaudeville," Financial Panic, and the Dream of a World Trust --
Marlis Schweitzer; The Company She Kept: The Radical Activism of Actress Kitty Marion from Piccadilly Circus to Times Square --
Christine Woodworth "The Picture Postcard is a sign of the times": Theatre Postcards and Modernism --
Penny FarfanA More Aggressive Plantation Play: Henrietta Vinton Davis and John Edward Bruce Collaborate on Our Old Kentucky Home --
Thomas Robson; Midwest American Rural Landscapes and the Creation of a Unique Theatre Culture, 1870-1940 --
Richard L. Poole; Ibsen's Unexpected Triumph: Peer Gynt at the Seattle Repertory Playhouse --
Victor Holtcamp; Book Reviews; Tim Donahue and Jim Patterson, Stage Money: The Business ofthe Professional Theater --
Reviewed by Heather A. Beasley Sarah Werner, ed., New Directions in Renaissance Drama and Performance Studies --
Reviewed by Shawna Mefferd CarrollJan Balakian, Reading the Plays of Wendy Wasserstein --
Reviewed by Miriam Chirico; Laura Bradley, Cooperation and Conflict: GDR Theatre Censorship, 1961-1989 --
Reviewed by Stacey Connelly; Robert A. Schanke, Queer Theatre and the Legacy of Cal Yeomans --
Reviewed by James Fisher; Veronica Kelly, The Empire Actors: Stars of Australasian Costume Drama,1890s-1920s --
Reviewed by Richard Fotheringham; Gene A. Plunka, Holocaust Drama: The Theater of Atrocity --
Reviewed by Elinor Fuchs Virginia Scott, Women on the Stage in Early Modern France, 1540-1750 --
Reviewed by Perry GethnerSherry D. Engle, New Women Dramatists in America, 1890-1920, and Alma J. Bennett, American Women Theatre Critics: Biographies and Selected Writings of Twelve Reviewers, 1753-1919 --
Reviewed by Helen Huff; Scott Magelssen and Rhona Justice-Malloy, eds., Enacting History --
Reviewed by Scott R. Irelan; Edward Forman, Historical Dictionary of French Theater, and Helen Solterer, Medieval Roles for Modern Times: Theater and the Battle for the French Republic --
Reviewed by Felicia Hardison Londré James F. Wilson, Bulldaggers, Pansies, and Chocolate Babies: Performance, Race, and Sexuality in the Harlem Renaissance --
Reviewed by Adrienne Macki BraconiPhilip Lambert, To Broadway, To Life! The Musical Theater of Bock and Harnick --
Reviewed by Chris M. McCoy; Kevin K. Durand and Mary K. Leigh, eds., The Universe of Oz: Essays on Baum's Series and Its Progeny --
Reviewed by Katharine M. Rogers; Cherise Smith, Enacting Others: Politics of Identity in Eleanor Antin, Nikki S. Lee, Adrian Piper, and Anna Deavere Smith --
Reviewed by Mark Seamon Madhavi Menon, ed., Shakesqueer: A Queer Companion to the Complete Works of Shakespeare --
Reviewed by Chad Allen Thomas
Series Title: Theatre History Studies.

Abstract:

Theatre History Studies, currently edited by Rhona Justice-Malloy, is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms.

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