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Theatre Symposium, V 19 : Theatre and Film.

Author: J K CurryBecky BeckerSteve EarnestAnthony HostetterElisabeth HostetterAll authors
Publisher: Tuscaloosa : University of Alabama Press, 2011.
Edition/Format:   eBook : Document : English
Database:WorldCat
Summary:
Despite a shared history and many common present practices, the relationship between theatre and film often remains uncertain. Does a close study of film enrich an understanding of drama on the stage? What ongoing connections do theatre and film maintain, and what elements do they borrow from each other? Does the relative popularity and accessibility of film lead to an increased scholarly defensiveness about  Read more...
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Genre/Form: Electronic books
Additional Physical Format: Print version:
Curry, J K.
Theatre Symposium, V 19 : Theatre and Film.
Tuscaloosa : University of Alabama Press, ©2011
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: J K Curry; Becky Becker; Steve Earnest; Anthony Hostetter; Elisabeth Hostetter; Nenad Jovanovic; Bruce McConachie; Lawrence D Smith; Erin Bone Steele; Nathan Stith; Leslie A Wade
ISBN: 9780817385910 0817385916
OCLC Number: 772845410
Description: 1 online resource (153 pages)
Contents: Introduction; Melodramatic Borrowings: Life, Stage, Screen; Robert Edmond Jones: Theatre and Motion Pictures, Bridging Reality and Dreams; Frank Castorf at the Volksbühne am Rosa Luxembourg Platz: Alienation Techniques and the Use of Mediated Material on the Live Stage; The London Theatre Goes Digital: Divergent Responses to the New Media; Nollywood: Film and Home Video, or the Death of Nigerian Theatre; The Performative Nature of Filmed Reproductions of Live Performance; Play- within- a- Play or Theatre- in- Film? : Ingmar Bergman's 'Through a Glass Darkly' Montage and Theatricality as Sources of Estrangement: A Tendency in Contemporary Brechtian CinemaTheatre and Film in Evolutionary Perspective; Contributors.

Abstract:

Despite a shared history and many common present practices, the relationship between theatre and film often remains uncertain. Does a close study of film enrich an understanding of drama on the stage? What ongoing connections do theatre and film maintain, and what elements do they borrow from each other? Does the relative popularity and accessibility of film lead to an increased scholarly defensiveness about qualities exclusive to theatrical performances? Do theatre and film demand two different kinds of attention from spectators, or do audiences tend to experience both in the sam.

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