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Theatre Symposium, V 20 : Gods and Groundlings: Historical Theatrical Audiences.

Author: Edward Bert WallaceSusan BennettJane BarnetteBecky BeckerLisa BerndAll authors
Publisher: Alabama : University of Alabama Press, 2012.
Series: Theatre Symposium Series.
Edition/Format:   eBook : Document : English
Summary:
The audience is an integral part of performance and is in fact what separates a rehearsal from a performance. The relationship, however, between performers and the audience has evolved over time, which is one of the subjects addressed, along with the changing disposition of the audience itself and a number of other topics, in Gods and Groundlings, volume 20 of the annual journal Theatre Symposium. The essays in this  Read more...
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Genre/Form: Electronic books
Additional Physical Format: Print version:
Wallace, Edward Bert.
Theatre Symposium, V 20 : Gods and Groundlings: Historical Theatrical Audiences.
Alabama : University of Alabama Press, ©2012
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Edward Bert Wallace; Susan Bennett; Jane Barnette; Becky Becker; Lisa Bernd; Evan M Bridenstine; Michael Jaros; Robert I Lublin; Paulette Marty; Natalie Tenner; David Thompson; Christine Woodworth
ISBN: 9780817386320 0817386327 9780817370077 0817370072
OCLC Number: 817894852
Description: 1 online resource (128 pages).
Contents: Introduction --
E. Bert Wallace; Making Up the Audience: Spectatorship in Historical Context --
Susan Bennett; The Matinee Audience in Peril: The Syndicate's Mr. Bluebeard and the Iroquois Theatre Fire --
Jane Barnette; Prosceniums and Screens: Audience Embodiment into the Digital Age --
Becky Becker; Annie Oakley and the Disruption of Victorian Expectations --
Lisa Bernd; Thomas King at Sadler's Wells and Drury Lane: How the Audience (Mis)Read Management --
Evan Bridenstine; Image --
Makers and Their Discontents: Lady Gregory and the Abbey Theatre Audience --
Michael Jaros. Anxious Audiences and the Early Modern English Transvestite Theatre --
Robert I. LublinNeglected Evidence: Interpreting the Site of an Elizabethan Royal Entertainment --
Paulette Marty; Creating Ideal Audiences: Ludwig Tieck and German Access to Shakespeare --
Natalie Tenner; Shuffling Roles: Alterations and Audiences in Shuffle Along --
David S. Thompson; When Audiences Attack: The Manhandling of Actress and Activist Kitty Marion --
Christine Woodworth; Contributors.
Series Title: Theatre Symposium Series.

Abstract:

The audience is an integral part of performance and is in fact what separates a rehearsal from a performance. The relationship, however, between performers and the audience has evolved over time, which is one of the subjects addressed, along with the changing disposition of the audience itself and a number of other topics, in Gods and Groundlings, volume 20 of the annual journal Theatre Symposium. The essays in this volume discuss spectatorship in historical context, the role of the audience in the digital age, the early modern English transvestite theatre, Annie Oakley and the disruption of V.

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