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Theatre under the Nazis

作者: John London
出版商: Manchester ; New York : Manchester University Press ; New York : Distributed exclusively in the USA by Palgrave, 2000.
版本/格式:   圖書 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
Were those who worked in the theatres of the Third Reich willing participants in the Nazi propaganda machine or artists independent of official ideology? To what extent did composers such as Richard Strauss and Carl Orff follow Nazi dogma? How did famous directors such as Gustaf Grüdgens and Jürgen Fehling react to the new regime? Why were Shakespeare and George Bernard Shaw among the most performed dramatists of  再讀一些...
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詳細書目

類型/形式: Aufsatzsammlung
History
其他的實體格式: Online version:
Theatre under the Nazis.
Manchester ; New York : Manchester University Press ; New York : Distributed exclusively in the USA by Palgrave, 2000
(OCoLC)606515627
資料類型: 網際網路資源
文件類型: 圖書, 網路資源
所有的作者/貢獻者: John London
ISBN: 0719059127 9780719059124 0719059917 9780719059919
OCLC系統控制編碼: 46631657
描述: xii, 356 p. : ill. ; 25 cm.
内容: Introduction / John London --
The birth of Nazi drama? Thing plays / William Niven --
The history plays of the Third Reich / Glen Gadberry --
Opera in the Nazi period / Erik Levi --
Jewish theatre : repertory and censorship in the Jüdisher Kulturbund, Berlin / Rebecca Rovit --
Non-German drama in the Third Reich / John London --
Nazi performances in the occupied territories : the German theatre in Lille / William Abbey and Katharina Havekamp.
責任: edited by John London.

摘要:

Were those who worked in the theatres of the Third Reich willing participants in the Nazi propaganda machine or artists independent of official ideology? To what extent did composers such as Richard Strauss and Carl Orff follow Nazi dogma? How did famous directors such as Gustaf Grüdgens and Jürgen Fehling react to the new regime? Why were Shakespeare and George Bernard Shaw among the most performed dramatists of the time? And why did the Nazis sanction Jewish theatre? This is the first book in English about theater in the entire Nazi period. The book is based on contemporary press reports, research in German archives, and interviews with surviving playwrights, actors, and musicians.

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