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Theorizing the avant-garde : modernism, expressionism, and the problem of postmodernity

著者: Richard Murphy
出版商: Cambridge, UK ; New York, NY : Cambridge University Press, 1999.
丛书: Literature, culture, theory, 32.
版本/格式:   图书 : 英语查看所有的版本和格式
提要:
In Theorizing the Avant-Garde: Modernism, Expressionism, and the Problem of Postmodernity, Richard Murphy mobilizes theories of the postmodern to challenge our understanding of the avant-garde. He assesses the importance of the avant-garde for contemporary culture and for the debates among theorists of postmodernism such as Jameson, Eagleton, Lyotard and Habermas. Murphy reconsiders the classic formulation of the
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材料类型: 互联网资源
文件类型: 书, 互联网资源
所有的著者/提供者: Richard Murphy
ISBN: 0521632919 9780521632911 0521648696 9780521648691
OCLC号码: 39281760
描述: viii, 325 p. ; 23 cm.
内容: Theories of the avant-garde --
Re-writing the discursive world: revolution and the expressionist avant-garde --
Counter-discourses of the avant-garde: Jameson, Bakhtin and the problem of realism --
The poetics of hysteria: expressionist drama and the melodramatic imagination --
Kafka's photograph of the imaginary. Dialogical interplay between realism and the fantastic. (The metamorphosis) --
Weimar silent film and expressionism: representational instability and oppositional discourse in The cabinet of Dr. Caligari --
Conclusion. Postmodernism and the avant-garde.
丛书名: Literature, culture, theory, 32.
责任: Richard Murphy.
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摘要:

In Theorizing the Avant-Garde: Modernism, Expressionism, and the Problem of Postmodernity, Richard Murphy mobilizes theories of the postmodern to challenge our understanding of the avant-garde. He assesses the importance of the avant-garde for contemporary culture and for the debates among theorists of postmodernism such as Jameson, Eagleton, Lyotard and Habermas. Murphy reconsiders the classic formulation of the avant-garde in Lukacs, Bloch and Burger, especially their discussion of aesthetic autonomy, and investigates the relationship between art and politics via a discussion of Marcuse, Adorno and Benjamin.

Combining close textual readings of a wide range of works of literature as well as films, it draws on a rich array of critical theories, such as those of Bakhtin, Todorov, MacCabe, Belsey and Raymond Williams. This interdisciplinary project will appeal to all those interested in modernist and avant-garde movements of the early twentieth century, and provides a critical rethinking of the present-day controversy regarding postmodernity.

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