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Thomas Hart Benton and the American sound

著者: Leo G Mazow; Thomas Hart Benton
出版商: University Park, Pa. : Pennsylvania State University Press, ©2012.
版本/格式:   图书 : 州政府或者省政府刊物 : 英语查看所有的版本和格式
数据库:WorldCat
提要:
Argues that musical imagery in the art of American painter Thomas Hart Benton was part of a larger belief in the capacity of sound to register and convey meaning.
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提及的人: Thomas Hart Benton
材料类型: 政府刊物, 州政府或者省政府刊物
文件类型:
所有的著者/提供者: Leo G Mazow; Thomas Hart Benton
ISBN: 9780271050836 0271050837
OCLC号码: 732967835
描述: xvi, 200 pages : illustrations (chiefly color) ; 27 cm
内容: Painting the song --
Painting the sound --
Anthology --
Regionalist radio --
Epilogue: Sound, touch, and beyond.
责任: Leo G. Mazow.

摘要:

Argues that musical imagery in the art of American painter Thomas Hart Benton was part of a larger belief in the capacity of sound to register and convey meaning.

Alternately praised as "an American original" and lampooned as an arbiter of kitsch, the regionalist painter Thomas Hart Benton has been the subject of myriad monographs and journal articles, remaining almost as controversial today as he was in his own time. Missing from this literature, however, is an understanding of the profound ways in which sound figures in the artist's enterprises. Prolonged attention to the sonic realm yields rich insights into long-established narratives, corroborating some but challenging and complicating at least as many. A self-taught and frequently performing musician who invented a harmonic tablature notation system, Benton was also a collector, cataloguer, transcriber, and distributor of popular music. In Thomas Hart Benton and the American Sound, Leo Mazow shows that the artist's musical imagery was part of a larger belief in the capacity of sound to register and convey meaning. In Benton's pictorial universe, it is through sound that stories are told, opinions are voiced, experiences are preserved, and history is recorded.

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