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Three artists (three women) : modernism and the art of Hesse, Krasner, and O'Keeffe

Autor: Anne Middleton Wagner
Editora: Berkeley : University of California Press, ©1996.
Edição/Formato   Livro : Publicação de governo estadual ou província : InglêsVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
Art historian Wagner looks at the imagery and careers of three important figures in the history of twentieth-century art: Eva Hesse, Lee Krasner, and Georgia O'Keeffe, relating their work to three decisive moments in the history of American modernism: the avant-garde of the 1920s, the New York School of the 1940s and 1950s, and the modernist redefinition undertaken in the 1960s. Their artistic contributions were  Ler mais...
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Detalhes

Gênero/Forma: Biography
Biographies
Pessoa Denominada: Georgia O'Keeffe; Lee Krasner; Eva Hesse; Georgia O'Keeffe; Lee Krasner; Eva Hesse
Tipo de Material: Publicação do governo, Publicação de governo estadual ou província
Tipo de Documento: Livro
Todos os Autores / Contribuintes: Anne Middleton Wagner
ISBN: 0520206088 9780520206083
Número OCLC: 34473879
Descrição: xix, 346 p. : ill. (some col.) ; 26 cm.
Conteúdos: Introduction: Situating Fantasy and the Fantastic --
1. Structuralism, Genre and (the) Beyond... --
2. Fantasy, Phantasy and the Realm of the Uncanny --
3. Re-Theorising the Body, Re-Thinking its Spaces --
4. Drifting In and Out of the Unconscious: Lessing's Briefing and Banks's The Bridge --
5. The Body in the House of the Closeted Text: Stevenson's Dr Jekyll and Mr Hyde and Perkins Gilman's The Yellow Wallpaper --
6. Changing the Narrative Subject: Carroll's Alices and Carter's The Passion of New Eve --
Afterword: But What of Utopia?
Responsabilidade: Anne Middleton Wagner.
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Resumo:

Art historian Wagner looks at the imagery and careers of three important figures in the history of twentieth-century art: Eva Hesse, Lee Krasner, and Georgia O'Keeffe, relating their work to three decisive moments in the history of American modernism: the avant-garde of the 1920s, the New York School of the 1940s and 1950s, and the modernist redefinition undertaken in the 1960s. Their artistic contributions were invaluable, Wagner demonstrates, as well as hard-won. She also shows that the fact that these artists were women--the main element linking the three--is as much the index of difference among their art and experience as it is a passkey to what they share.--From publisher description.

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Dados Ligados


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