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Three colours Cézanne

Author: Janice SutherlandMatthew CollingsHoward HodgkinR B KitajBritish Broadcasting Corporation.All authors
Publisher: West Long Branch, NJ : Kultur, ©2009.
Edition/Format:   DVD video : NTSC color broadcast system : EnglishView all editions and formats
Summary:
Paul Cézanne is considered the father of modern painting. In the South of France, his obstinacy as man and artist made him a pioneer of a new way of seeing. Returning always to the same subjects, the Mont Sainte-Victoire, bathing figures, or still lives, he abandoned central perspective, distorted body-shapes, and broke all the traditional rules of landscape painting. Now, a wide range of historians and  Read more...
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Details

Genre/Form: Biographical films
Criticism, interpretation, etc
Documentary films
Educational films
Nonfiction films
Named Person: Paul Cézanne; Paul Cézanne
Material Type: Internet resource, Videorecording
Document Type: Visual material, Internet Resource
All Authors / Contributors: Janice Sutherland; Matthew Collings; Howard Hodgkin; R B Kitaj; British Broadcasting Corporation.; RM Arts (Firm); Philadelphia Museum of Art.; Kultur International Films.
ISBN: 9780769789835 0769789838
OCLC Number: 656904189
Language Note: English audio.
Notes: Program content: c1996.
Credits: Written and presented by Matthew Collings.
Performer(s): Participants, R.B. Kitaj, Howard Hodgkin.
Description: 1 videodisc (56 min.) : sound, color with black and white sequences ; 4 3/4 in.
Details: DVD; NTSC, Region 1; full screen; LCPM sound.
Other Titles: 3 colours Cézanne
Three colors Cézanne
Cézanne
Responsibility: [a film by Janice Sutherland] ; written and presented by Matthew Collings ; a BBC/RM Arts co-production in association with the Philadelphia Museum of Art ; director, Janice Sutherland.

Abstract:

Paul Cézanne is considered the father of modern painting. In the South of France, his obstinacy as man and artist made him a pioneer of a new way of seeing. Returning always to the same subjects, the Mont Sainte-Victoire, bathing figures, or still lives, he abandoned central perspective, distorted body-shapes, and broke all the traditional rules of landscape painting. Now, a wide range of historians and commentators examine many of Cézanne's works in detail.

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