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Time and Space in Words and Music : Proceedings of the 1st Conference of the Word and Music Association Forum, Dortmund, November 4-6, 2010.

Author: Mario Dunkel; Emily Petermann; Burkhard Sauerwald
Publisher: Frankfurt : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2012.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:

Addressing a range of music examples and texts, the fifteen essays in this volume explore the interaction between both conceptions of time and space and the intermedial relationship between words and  Read more...

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Genre/Form: Electronic books
Conference papers and proceedings
Congresses
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Additional Physical Format: Print version:
Dunkel, Mario.
Time and Space in Words and Music : Proceedings of the 1st Conference of the Word and Music Association Forum, Dortmund, November 4-6, 2010.
Frankfurt : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, ©2012
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Mario Dunkel; Emily Petermann; Burkhard Sauerwald
ISBN: 9783653022520 3653022525 3631606982 9783631606988
OCLC Number: 831120718
Description: 1 online resource (234 pages)
Contents: Cover; Acknowledgements; Content; Introduction; Worded or Sung? The Thirteen Teeth of Joyce's Pomes Penyeach, Adrian Paterson, National University of Ireland, Galway; Musical Repetition in Samuel Beckett's Ill Seen Ill Said, John McGrath, University of Liverpool; Aeolian Harps and Creators of Acoustic Spaces: Gert Jonke's Self-Reflexive Soundscapes, Isabel Wagner, University of London; The Concept of Time Implied by the Theme and Variations Form: Novels Based on Bach's Goldberg Variations, Emily Petermann, Georg-August Universität Göttingen. The Soundtrack of Exile: Towards an Intermedial Interpretation of Peter Weiss's Literary Works, Markus Huss, Södertörns högskola, StockholmSounding Through Time and Space: Music in Postcolonial South-Asian Literature, Christin Hoene, University of Edinburgh; Ezra Pound's Spatial Aesthetics of Music, Sarah Fekadu, Ludwig-Maximilians-Universität München; The Use of Musical Intermediality in Creating Spatial Temporality: Günter Grass's Novel Ein weites Feld (1995), Beate Schirrmacher, Stockholms universitet. Violence in Narratives about Jazz Musicians: Performance in Michael Ondaatje's Coming Through Slaughter, Hannah Ianniello, The University of Western SydneyPoetic Time and Space, or What Fauré Learns from Baudelaire, Helen Abbott, University of Sheffield; A Song and Its Checkered History of Reception and Effect: "Der gute Kamerad" by Ludwig Uhland and Friedrich Silcher, Burkhard Sauerwald, Technische Universität Dortmund; A Cycle of Songs, Sorrow and Citations: Earl Kim's Now and Then (1981), Diana Kupfer, Universität Heidelberg. Carving Time in Rhythm: Samuel Beckett and Minimalist Music, Maria Ristani, Aristotelio Panepistimio of ThessalonikiThe Transcendence of Musical Time: Text and Temporality in Busoni's Doktor Faust and Messiaen's Saint François d'Assise, Judith Crispin, University of Sydney; Poetry Traced in the Air: Electronic Mediation, Musicalized Language, and Embodiment in Leroux's Voi(rex), Tyler Cassidy-Heacock, Eastman School of Music; Contributors and Editors; Index of Persons.

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