コンテンツへ移動
Time present and time past : the art of John Everett Millais 資料のプレビュー
閉じる資料のプレビュー
確認中…

Time present and time past : the art of John Everett Millais

著者: Paul Barlow; John Everett Millais
出版: Aldershot, Hants, England ; Burlington, VT, USA : Ashgate, ©2005.
シリーズ: British art and visual culture since 1750, new readings.
エディション/フォーマット:   書籍 : Biography : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
John Everett Millais (1829-1896) is undoubtedly among the most important of Victorian artists. In his day, and our own, he remains also the most controversial. While, during his lifetime, controversy centred around his early Pre-Raphaelite paintings, in particular Christ in the house of his Parents (1850), during the twentieth century the most intense criticism has been directed towards Millais's later works, such  続きを読む
評価:

(まだ評価がありません) 0 件のレビュー - 是非あなたから!

件名:
関連情報:

 

オフラインで入手

&AllPage.SpinnerRetrieving; この資料の所蔵館を検索中…

詳細

関連の人物: John Everett Millais; John Everett Millais, Sir; John Everett Millais, Sir
資料の種類: Biography
ドキュメントの種類: 図書
すべての著者/寄与者: Paul Barlow; John Everett Millais
ISBN: 0754632970 9780754632979
OCLC No.: 54960332
物理形態: viii, 229 p. : ill. ; 25 cm.
コンテンツ: Introduction: Millais and his critics --
Millais's medievalism --
Millais's Ruskin --
Transitional acts --
Anecdotal aestheticism --
Interlude --
Masculine impressions --
Struggles for power --
Ghosts and memorials --
Time present and time past: Millais's legacy.
シリーズタイトル: British art and visual culture since 1750, new readings.
責任者: Paul Barlow.

概要:

In this book, Paul Barlow challenges the popular view of the art of John Everett Millais as being sentimental Victorian kitsch and argues that Millais' work is worthy of serious consideration.  続きを読む

レビュー

ユーザーレビュー
GoodReadsのレビューを取得中…
DOGObooksのレビューを取得中…

タグ

まずはあなたから!
リクエストの確認

あなたは既にこの資料をリクエストしている可能性があります。このリクエストを続行してよろしければ、OK を選択してください。

リンクデータ


<http://www.worldcat.org/oclc/54960332>
library:oclcnum"54960332"
library:placeOfPublication
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/54960332>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
<http://viaf.org/viaf/51738621>
rdf:typeschema:Person
schema:birthDate"1829"
schema:deathDate"1896"
schema:familyName"Millais"
schema:givenName"John Everett"
schema:name"Millais, John Everett, 1829-1896."
schema:name"Millais, John Everett, Sir, 1829-1896."
schema:name"Millais, John Everett, 1829-1896"
schema:contributor
<http://viaf.org/viaf/51738621>
rdf:typeschema:Person
schema:birthDate"1829"
schema:deathDate"1896"
schema:familyName"Millais"
schema:givenName"John Everett"
schema:name"Millais, John Everett, 1829-1896."
schema:name"Millais, John Everett, Sir, 1829-1896."
schema:name"Millais, John Everett, 1829-1896"
schema:copyrightYear"2005"
schema:creator
schema:datePublished"2005"
schema:description"John Everett Millais (1829-1896) is undoubtedly among the most important of Victorian artists. In his day, and our own, he remains also the most controversial. While, during his lifetime, controversy centred around his early Pre-Raphaelite paintings, in particular Christ in the house of his Parents (1850), during the twentieth century the most intense criticism has been directed towards Millais's later works, such as Bubbles (1886), which has been widely condemned as sentimental 'kitsch'. These later paintings have been held up as the epitome of the degradation of art, against which avant-garde and Modernist pioneers struggled. None of the existing literature on Millais addresses the fundamental problem that this double-identity reveals. While there is extensive material on the Pre-Raphaelite movement in general, Millais's own work after the 1850s is rarely discussed in detail, despite the fact that he lived and worked for another 30 years after his abandonment of the Pre-Raphaelite style. Time Present and Time Past: The Art of John Everett Millais presents the first comprehensive account of Millais's artistic career from beginning to end. The book considers the question of 'high' and 'low' cultural status in debates during Millais's own day, and in subsequent critical thinking, situating Millais's art as a whole within this cultural framework."@en
schema:description"Introduction: Millais and his critics -- Millais's medievalism -- Millais's Ruskin -- Transitional acts -- Anecdotal aestheticism -- Interlude -- Masculine impressions -- Struggles for power -- Ghosts and memorials -- Time present and time past: Millais's legacy."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/499573827>
schema:genre"Criticism, interpretation, etc."@en
schema:inLanguage"en"
schema:name"Time present and time past : the art of John Everett Millais"@en
schema:numberOfPages"229"
schema:publisher
schema:url
schema:workExample
umbel:isLike<http://bnb.data.bl.uk/id/resource/GBA503105>

Content-negotiable representations

ウインドウを閉じる

WorldCatにログインしてください 

アカウントをお持ちではないですか?簡単に 無料アカウントを作成することができます。.