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Time present and time past : the art of John Everett Millais

著者: Paul Barlow; John Everett Millais
出版商: Aldershot, Hants, England ; Burlington, VT, USA : Ashgate, ©2005.
丛书: British art and visual culture since 1750, new readings.
版本/格式:   图书 : 传记 : 英语查看所有的版本和格式
数据库:WorldCat
提要:
John Everett Millais (1829-1896) is undoubtedly among the most important of Victorian artists. In his day, and our own, he remains also the most controversial. While, during his lifetime, controversy centred around his early Pre-Raphaelite paintings, in particular Christ in the house of his Parents (1850), during the twentieth century the most intense criticism has been directed towards Millais's later works, such  再读一些...
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详细书目

提及的人: John Everett Millais; John Everett Millais, Sir; John Everett Millais, Sir
材料类型: 传记
文件类型:
所有的著者/提供者: Paul Barlow; John Everett Millais
ISBN: 0754632970 9780754632979
OCLC号码: 54960332
描述: viii, 229 p. : ill. ; 25 cm.
内容: Introduction: Millais and his critics --
Millais's medievalism --
Millais's Ruskin --
Transitional acts --
Anecdotal aestheticism --
Interlude --
Masculine impressions --
Struggles for power --
Ghosts and memorials --
Time present and time past: Millais's legacy.
丛书名: British art and visual culture since 1750, new readings.
责任: Paul Barlow.

摘要:

John Everett Millais (1829-1896) is undoubtedly among the most important of Victorian artists. In his day, and our own, he remains also the most controversial. While, during his lifetime, controversy centred around his early Pre-Raphaelite paintings, in particular Christ in the house of his Parents (1850), during the twentieth century the most intense criticism has been directed towards Millais's later works, such as Bubbles (1886), which has been widely condemned as sentimental 'kitsch'. These later paintings have been held up as the epitome of the degradation of art, against which avant-garde and Modernist pioneers struggled. None of the existing literature on Millais addresses the fundamental problem that this double-identity reveals. While there is extensive material on the Pre-Raphaelite movement in general, Millais's own work after the 1850s is rarely discussed in detail, despite the fact that he lived and worked for another 30 years after his abandonment of the Pre-Raphaelite style. Time Present and Time Past: The Art of John Everett Millais presents the first comprehensive account of Millais's artistic career from beginning to end. The book considers the question of 'high' and 'low' cultural status in debates during Millais's own day, and in subsequent critical thinking, situating Millais's art as a whole within this cultural framework.

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