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Tippett studies

Author: David Clarke
Publisher: Cambridge [England] ; New York : Cambridge University Press, 1999.
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:
Michael Tippett (1905-1998) was one of the major figures of British music in the twentieth century. This collection of studies is the first completely new, internationally available book on the composer to appear for over a decade and includes the thinking of established scholars and new commentators.
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Genre/Form: Criticism, interpretation, etc
Named Person: Michael Tippett; Michael Tippett; Michael Tippett; Michael Tippett; Michael Tippett
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: David Clarke
ISBN: 0521592054 9780521592055
OCLC Number: 37801405
Description: xv, 232 pages : illustrations ; 24 cm
Contents: 1. "Only half rebelling" : tonal strategies, folksong and "Englishness" in Tippett's Concerto for Double String Orchestra / David Clarke --
2. From pastiche to free composition : R.O. Morris, Tippett and the development of pitch resources in the Fantasia Concertante on a Theme of Corelli / Anthony Pople --
3. "Is there a choice at all?" : King Priam and motives for analysis / Arnold Whittall --
4. Tippett's Second Symphony, Stravinsky and the language of neoclassicism : towards a critical framework / Kenneth Gloag --
5. Tippett, sequence and metaphor / Christopher Mark --
6. Tonal elements and their significance in Tippett's Sonata No. 3 for piano / Alastair Borthwick --
7. "Significant gestures to the past" : formal processes and visionary moments in Tippett's Triple Concerto / Stephen Collisson --
8. Tippett's King Priam and "the tragic vision" / Rowena Pollard ; David Clarke --
9. Tippett at the millennium : a personal memoir / Wilfrid Mellers --
10. Decline or renewal in late Tippett? : The Fifth String Quartet in perspective / Peter Wright.
Responsibility: edited by David Clarke.
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Abstract:

Michael Tippett (1905-1998) was one of the major figures of British music in the twentieth century. This collection of studies is the first completely new, internationally available book on the composer to appear for over a decade and includes the thinking of established scholars and new commentators.

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