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Titian, Tintoretto, Veronese : rivals in Renaissance Venice

Verfasser/in: Frederick Ilchman; Linda Borean; Museum of Fine Arts, Boston.; Musée du Louvre.
Verlag: Boston : MFA Publications ; New York, N.Y. : D.A.P./Distributed Art Publishers, 2009.
Ausgabe/Format   Print book : Englisch : 1st edAlle Ausgaben und Formate anzeigen
Datenbank:WorldCat
Zusammenfassung:
"For nearly four decades in the sixteenth century, the careers of Renaissance Venice's three greatest painters - Titian, Tintoretto, and Veronese - overlapped, encouraging mutual influences and bitter rivalries that changed the course of art history. Venice was then among Europe's richest cities, and its plentiful commissions fostered an exceptionally fertile and innovative climate. In this environment, the three  Weiterlesen…
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Gattung/Form: Exhibition catalogs
Exhibitions
Name: Titian; Tintoretto; Veronese; Titian; Tintoretto; Veronese; Tintoretto; Titian; Veronese
Dokumenttyp: Buch
Alle Autoren: Frederick Ilchman; Linda Borean; Museum of Fine Arts, Boston.; Musée du Louvre.
ISBN: 9780878467396 0878467394 9780878467402 0878467408
OCLC-Nummer: 316329509
Anmerkungen: Published in conjunction with an exhibition held at the Museum of Fine Arts, Boston, Mar. 15, 2009- Aug. 16, 2009 and the Musée du Louvre, Paris, Sept. 14, 2009-Jan. 4, 2010.
Beschreibung: 315 pages : color illustrations, maps ; 30 cm
Inhalt: Venetian painting in an age of rivals / Frederick Ilchman --
Where the money flows : art patronage in sixteenth century Venice / Patricia Fortini Brown --
Collecting in sixteenth and seventeenth century Venice : originals, copies, and "Maniera di" / Linda Borean --
Materials and techniques of painters in sixteenth century Venice / Robert Wald.
Verfasserangabe: Frederick Ilchman with contributions by Linda Borean [and others].

Abstract:

"For nearly four decades in the sixteenth century, the careers of Renaissance Venice's three greatest painters - Titian, Tintoretto, and Veronese - overlapped, encouraging mutual influences and bitter rivalries that changed the course of art history. Venice was then among Europe's richest cities, and its plentiful commissions fostered an exceptionally fertile and innovative climate. In this environment, the three artists - brilliant, ambitious, and fiercely competitive - vied with each other for primacy, deploying the new combination of oil on canvas, with its unique expressive possibilities, and such new approaches as a personal and identifiable signature touch. They also pioneered the use of easel painting, a newly portable format that allowed for unprecedented fame in their lifetimes. With more than 160 stunning examples by the three masters and their contemporaries, Titian, Tintoretto, Veronese elucidates the technical and aesthetic innovations that helped define the "Venetian style"--Characterized by loose technique. rich coloring, and often sensual subject matter - as well as the social, political, and economic context in which it flourished. Essays range from examinations of new approaches to studies of such crucial institutions as state commissions and the private patronage system. Most of all, by concentrating on the lives and careers of Venice's three greatest painters, the volume presents a vibrant human portrait - one brimming with intense competition, one-upmanship, humor, and passion."--Jacket.

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