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Titian's painting technique from 1540.

Author: Ashok Roy; Jill Dunkerton; Marika Spring
Publisher: London : National Gallery Company Ltd., New Haven : Yale University Press. 2015.
Series: National Gallery Technical Bulletin, 36.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
Volume 36 completes the study begun with Volume 34 (in 2013) of the painting materials and technique of the most influential artist of the 16th century, by the National Gallery, a global center for research into Venetian painting. An introduction addresses the consistencies and variations in Titian's practice, including the use of new materials such as the blue pigment smalt. Entries cover eight key works dating  Read more...
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Named Person: Titian; Titian
Document Type: Book
All Authors / Contributors: Ashok Roy; Jill Dunkerton; Marika Spring
ISBN: 9781857095937 1857095936
OCLC Number: 909251658
Description: 136 pages : illustrations (chiefly color) ; 30 cm.
Contents: Dr. Ashok Roy and the National Gallery Technical Bulletin / Nicholas Penny --
Titian after 1540: technique and style in his later works / Jill Dunkerton and Marika Spring --
Catalogue / all catalogue entries by Jill Dunkerton and Marika Spring, with contributions from Rachel Billinge and seven others --
The conservation of history of Titian's Diana and Actaeon and Diana and Callisto / Jacqueline Ridge and Marika Spring.
Series Title: National Gallery Technical Bulletin, 36.

Abstract:

Volume 36 completes the study begun with Volume 34 (in 2013) of the painting materials and technique of the most influential artist of the 16th century, by the National Gallery, a global center for research into Venetian painting. An introduction addresses the consistencies and variations in Titian's practice, including the use of new materials such as the blue pigment smalt. Entries cover eight key works dating from 1540, and a final essay discusses the conservation history of Diana and Actaeon and Diana and Callisto, the two great mythological paintings recently acquired by the National Gallery and the National Galleries of Scotland.

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