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|Named Person:||Tom Stoppard; Tom Stoppard|
|All Authors / Contributors:||
|Description:||xii, 202 p. ; 23 cm.|
|Contents:||Art as moral matrix --
Through a glass darkly: morality and the outer mystery in Rosencrantz and Guildenstern are dead --
The flesh and the word in Jumpers --
Moral flesh and moral matrix of words: the temporal and the timeless in Travesties --
The word made flesh: moral action in the body politic (Professional foul, Every good boy deserves favour, Night and day, Dogg's Hamlet, Cahoot's Macbeth) --
'Not of the flesh but through the flesh': knowing and being known in The real thing --
Particle physics and particular persons: the join between happenstance and goodness in Hapgood --
Moral absolutes and moral contexts.