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Tony Williams' drumset ideology to 1969 : Synergistic emergence from an adaptive modeling of feel, technique and creativity as an archetype for cultivating originality in jazz drumset performance studies Titelvorschau
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Tony Williams' drumset ideology to 1969 : Synergistic emergence from an adaptive modeling of feel, technique and creativity as an archetype for cultivating originality in jazz drumset performance studies

Verfasser/in: Dave Goodman; Sydney Conservatorium of Music.
Verlag: 2011.
Dissertation: Thesis (Ph. D.) -- University of Sydney, 2011.
Ausgabe/Format   Diplomarbeit/Dissertation : Dokument : Diplomarbeit/Dissertation : E-Book   Computer-Datei : EnglischAlle Ausgaben und Formate anzeigen
Datenbank:WorldCat
Zusammenfassung:
"I identify Tony Williams' formative drumset ideology as being emergent from his adaptive modeling of the feel, technique and creativity identified in the drumming of Art Blakey, Max Roach and Philly Joe Jones respectively and present the results of extensive textual and musicological research on Williams' formative practices between 1945 and 1969 as an archettype for cultivating originality in jazz drumset  Weiterlesen…
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Name: Tony Williams
Medientyp: Dokument, Diplomarbeit/Dissertation, Internetquelle
Dokumenttyp: Internet-Ressource, Computer-Datei
Alle Autoren: Dave Goodman; Sydney Conservatorium of Music.
OCLC-Nummer: 806880741
Anmerkungen: Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Sydney Conservatorium of Music.
Andere Titel Synergistic emergence from an adaptive modeling of feel, technique and creativity as an archetype for cultivating originality in jazz drumset performance studies
Verfasserangabe: Dave Goodman.

Abstract:

"I identify Tony Williams' formative drumset ideology as being emergent from his adaptive modeling of the feel, technique and creativity identified in the drumming of Art Blakey, Max Roach and Philly Joe Jones respectively and present the results of extensive textual and musicological research on Williams' formative practices between 1945 and 1969 as an archettype for cultivating originality in jazz drumset performance studies..."

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