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Tony Williams' drumset ideology to 1969 : Synergistic emergence from an adaptive modeling of feel, technique and creativity as an archetype for cultivating originality in jazz drumset performance studies Aperçu de cet ouvrage
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Tony Williams' drumset ideology to 1969 : Synergistic emergence from an adaptive modeling of feel, technique and creativity as an archetype for cultivating originality in jazz drumset performance studies

Auteur : Dave Goodman; Sydney Conservatorium of Music.
Éditeur : 2011.
Dissertation : Ph. D. University of Sydney 2011
Édition/format :   Thèse/dissertation : Document : Thèse/mémoire : Livre électronique   Fichier informatique : AnglaisVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
"I identify Tony Williams' formative drumset ideology as being emergent from his adaptive modeling of the feel, technique and creativity identified in the drumming of Art Blakey, Max Roach and Philly Joe Jones respectively and present the results of extensive textual and musicological research on Williams' formative practices between 1945 and 1969 as an archettype for cultivating originality in jazz drumset  Lire la suite...
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Détails

Personne nommée : Tony Williams
Type d’ouvrage : Document, Thèse/mémoire, Ressource Internet
Format : Ressource Internet, Fichier informatique
Tous les auteurs / collaborateurs : Dave Goodman; Sydney Conservatorium of Music.
Numéro OCLC : 806880741
Notes : Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Sydney Conservatorium of Music.
Autres titres : Synergistic emergence from an adaptive modeling of feel, technique and creativity as an archetype for cultivating originality in jazz drumset performance studies
Responsabilité : Dave Goodman.

Résumé :

"I identify Tony Williams' formative drumset ideology as being emergent from his adaptive modeling of the feel, technique and creativity identified in the drumming of Art Blakey, Max Roach and Philly Joe Jones respectively and present the results of extensive textual and musicological research on Williams' formative practices between 1945 and 1969 as an archettype for cultivating originality in jazz drumset performance studies ..."

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