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Tony Williams' drumset ideology to 1969 : Synergistic emergence from an adaptive modeling of feel, technique and creativity as an archetype for cultivating originality in jazz drumset performance studies Voorbeeldweergave van dit item
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Tony Williams' drumset ideology to 1969 : Synergistic emergence from an adaptive modeling of feel, technique and creativity as an archetype for cultivating originality in jazz drumset performance studies

Auteur: Dave Goodman; Sydney Conservatorium of Music.
Uitgever: 2011.
Proefschrift: Ph. D. University of Sydney 2011
Editie/Formaat:   Scriptie/Proefschrift : Document : Scriptie/Dissertatie : e-Boek   Computerbestand : EngelsAlle edities en materiaalsoorten bekijken.
Database:WorldCat
Samenvatting:
"I identify Tony Williams' formative drumset ideology as being emergent from his adaptive modeling of the feel, technique and creativity identified in the drumming of Art Blakey, Max Roach and Philly Joe Jones respectively and present the results of extensive textual and musicological research on Williams' formative practices between 1945 and 1969 as an archettype for cultivating originality in jazz drumset  Meer lezen...
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Details

Genoemd persoon: Tony Williams
Genre: Document, Scriptie/Dissertatie, Internetbron
Soort document Internetbron, Computerbestand
Alle auteurs / medewerkers: Dave Goodman; Sydney Conservatorium of Music.
OCLC-nummer: 806880741
Opmerkingen: Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Sydney Conservatorium of Music.
Andere titels: Synergistic emergence from an adaptive modeling of feel, technique and creativity as an archetype for cultivating originality in jazz drumset performance studies
Verantwoordelijkheid: Dave Goodman.

Fragment:

"I identify Tony Williams' formative drumset ideology as being emergent from his adaptive modeling of the feel, technique and creativity identified in the drumming of Art Blakey, Max Roach and Philly Joe Jones respectively and present the results of extensive textual and musicological research on Williams' formative practices between 1945 and 1969 as an archettype for cultivating originality in jazz drumset performance studies ..."

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