doorgaan naar inhoud
Tony Williams' drumset ideology to 1969 : Synergistic emergence from an adaptive modeling of feel, technique and creativity as an archetype for cultivating originality in jazz drumset performance studies Voorbeeldweergave van dit item
SluitenVoorbeeldweergave van dit item
Bezig met controle...

Tony Williams' drumset ideology to 1969 : Synergistic emergence from an adaptive modeling of feel, technique and creativity as an archetype for cultivating originality in jazz drumset performance studies

Auteur: Dave Goodman; Sydney Conservatorium of Music.
Uitgever: 2011.
Proefschrift: Thesis (Ph. D.) -- University of Sydney, 2011.
Editie/Formaat:   Scriptie/Proefschrift : Document : Scriptie/Dissertatie : e-Boek   Computerbestand : EngelsAlle edities en materiaalsoorten bekijken.
Database:WorldCat
Samenvatting:
"I identify Tony Williams' formative drumset ideology as being emergent from his adaptive modeling of the feel, technique and creativity identified in the drumming of Art Blakey, Max Roach and Philly Joe Jones respectively and present the results of extensive textual and musicological research on Williams' formative practices between 1945 and 1969 as an archettype for cultivating originality in jazz drumset  Meer lezen...
Beoordeling:

(nog niet beoordeeld) 0 met beoordelingen - U bent de eerste

Onderwerpen
Meer in deze trant

 

Zoeken naar een online exemplaar

Links naar dit item

Zoeken naar een in de bibliotheek beschikbaar exemplaar

&AllPage.SpinnerRetrieving; Bibliotheken met dit item worden gezocht…

Details

Genoemd persoon: Tony Williams
Genre: Document, Scriptie/Dissertatie, Internetbron
Soort document: Internetbron, Computerbestand
Alle auteurs / medewerkers: Dave Goodman; Sydney Conservatorium of Music.
OCLC-nummer: 806880741
Opmerkingen: Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Sydney Conservatorium of Music.
Andere titels: Synergistic emergence from an adaptive modeling of feel, technique and creativity as an archetype for cultivating originality in jazz drumset performance studies
Verantwoordelijkheid: Dave Goodman.

Fragment:

"I identify Tony Williams' formative drumset ideology as being emergent from his adaptive modeling of the feel, technique and creativity identified in the drumming of Art Blakey, Max Roach and Philly Joe Jones respectively and present the results of extensive textual and musicological research on Williams' formative practices between 1945 and 1969 as an archettype for cultivating originality in jazz drumset performance studies..."

Beoordelingen

Beoordelingen door gebruikers
Beoordelingen van GoodReads worden opgehaald...
Bezig met opvragen DOGObooks-reviews...

Tags

U bent de eerste.
Bevestig deze aanvraag

Misschien heeft u dit item reeds aangevraagd. Selecteer a.u.b. Ok als u toch wilt doorgaan met deze aanvraag.

Gekoppelde data


<http://www.worldcat.org/oclc/806880741>
bgn:inSupportOf"Thesis (Ph. D.) -- University of Sydney, 2011."
library:oclcnum"806880741"
library:placeOfPublication
rdf:typebgn:Thesis
rdf:typeschema:Book
rdf:typeschema:MediaObject
rdf:typej.0:Web_document
rdf:valueUnknown value: dct
rdf:valueUnknown value: deg
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:alternateName"Synergistic emergence from an adaptive modeling of feel, technique and creativity as an archetype for cultivating originality in jazz drumset performance studies"@en
schema:contributor
schema:creator
schema:datePublished"2011"
schema:description""I identify Tony Williams' formative drumset ideology as being emergent from his adaptive modeling of the feel, technique and creativity identified in the drumming of Art Blakey, Max Roach and Philly Joe Jones respectively and present the results of extensive textual and musicological research on Williams' formative practices between 1945 and 1969 as an archettype for cultivating originality in jazz drumset performance studies...""@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/1161752050>
schema:genre"Criticism, interpretation, etc."@en
schema:inLanguage"en"
schema:name"Tony Williams' drumset ideology to 1969 Synergistic emergence from an adaptive modeling of feel, technique and creativity as an archetype for cultivating originality in jazz drumset performance studies"@en
schema:publication
schema:url<http://hdl.handle.net/2123/7797>
wdrs:describedby

Content-negotiable representations

Venster sluiten

Meld u aan bij WorldCat 

Heeft u geen account? U kunt eenvoudig een nieuwe gratis account aanmaken.